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Panasonic Lumix GH5 II Assessment



Introduction

The Panasonic Lumix GH5 II is a brand new flagship mirrorless digicam aimed squarely at each stills photographers and videographers.

Successor to the very fashionable GH5 digicam, this new 2021 mannequin now options C4K/4K 60p 4:2:0 10-bit limitless video recording, wi-fi reside streaming in FHD/60p, a brand new 20.3 megapixel sensor with AR (Anti-Reflective) coating, and the newest high-speed and high-performance Venus Engine.

Different key new enhancements embrace even higher Physique I.S. (Picture Stabiliser) now price as much as 6.5-stops slower shutter pace, a better decision 1.84M pixel, 3-inch LCD display which has a wider color gamut and brightness, a sooner body price of 120fps for the EVF, help for USB-C charging, bigger buffer for steady taking pictures, Face/Eye/Head/Physique and Animal Recognition autofocusing, larger 2200 mAh battery, and the V-Log L profile is pre-installed.

In any other case, the brand new Mark II GH5 is similar to the unique model from 2016. The splash- and dustproof GH5 II gives built-in Wi-Fi and Bluetooth connectivity, 0.05 second contrast-detect autofocus system with 225 focus factors, 1/8000th high shutter pace, 1/250th second flash sync pace, 1,728-zone metering system, 3,680K-dot OLED digital viewfinder, 3.2-inch swivelling and tilting LCD display, touchscreen management system with touch-based capabilities like Contact AF/AE and Contact Shutter, 5-axis Twin Picture Stabilisation system to assist fight camera-shake, ISO vary of 100-25600, utterly silent digital shutter, 12 (AFS) / 9 (AFC) fps burst taking pictures, Publish Focus and Focus Stacking capabilities, and twin UHS-II SD Reminiscence Card slots.

The Panasonic Lumix GH5 II is offered now solely in black, priced at £1499 / $1699 physique solely, £1699 with the usual 12-60mm f3.5-5.6 lens (M Package), and £1999 / $2299 with the Leica 12-60mm f/2.8-4.0 lens (L Package).

Ease of Use




Panasonic Lumix GH5 II

Measuring 138.5 x 98.1 x 87.4mm and weighing 647g physique solely, the Panasonic Lumix GH5 II is an identical in each measurement and weight to the unique GH5 mannequin that it succeeds.

The GH5 II’s physique is made out of magnesium alloy, with a full die-cast entrance and rear body. Each joint, dial, and button is sealed to make sure that the GH5 II is splash/dust-proof and in addition freeze-proof all the way down to -10 levels Celsius.

The digicam has a shutter launch lifetime of 200,000 photographs. As with the unique mannequin, this is among the most well-constructed Panasonic cameras that we have ever reviewed, and may stand as much as some severe abuse.

The GH5 II ships both physique solely, with the Panasonic 12-60mm f3.5-5.6 lens, or with the superb Leica 12-60mm f/2.8-4.0 lens that we reviewed it with.

Whereas the physique of the GH5 II is comparable in measurement and weight to a mid-range APS-C DSLR digicam, the lenses are the place Panasonic have actually shrunk the general system. Given the quick most apertures on provide, the Leica 12-60mm optic is comparatively small and lightweight, and delivers nice picture high quality while being quick to focus and utterly silent, excellent for video use.

The Lumix GH5 II is suitable with the present DMW-BGGH5 battery grip, which homes an additional battery to increase the general battery life. The DMW-BGGH5 grip shares the identical splash / dustproof design because the GH5 II physique.




Panasonic Lumix GH5 II

Panasonic have considerably upgraded the picture stabilisation system on the GH5 II. The 5-axis Twin I.S. MK II system incorporates gyro-sensor expertise to mix the 2-axis stabilisation from the lens (if it has OIS built-in) and 5-axis stabilisation from the digicam physique, leading to compensation for as much as 6.5-stops slower shutter pace, which is 1.5 stops higher than the GH5.

Not like a traditional DSLR digicam which makes use of a section detection auto-focus system, the Panasonic Lumix GH5 II employs a 225-point Distinction AF system, just like that generally utilized by compact cameras.

The GH5 II nonetheless has one of many quickest AF techniques of any interchangeable lens digicam, although, be {that a} compact system digicam or a DSLR, with a claimed pace of simply 0.05 seconds when used with sure lenses due to the inclusion of DFD (Depth from Defocus) expertise, which additional shortens the time to set focus.

That is extremely fast, and there have been additionally nearly no events when the GH5 II did not lock onto the topic, particularly when utilizing the centre AF level, leading to a responsive and importantly dependable AF system.

New to the GH5 II are the Human Detect AF and Animal Recognition autofocusing algorithims which have been inherited from the full-frame Lumix S5 digicam. There are a variety of AF modes on provide, together with Human/Animal Detect, Monitoring, 225-Space, Zone (Vert/Horz), Zone (Oval), 1-Space+, 1-Space and Pinpoint.

On the entrance of the Panasonic Lumix GH5 II is a small focus-assist and self-timer indicator lamp, lens launch button, customisable unmarked Function6 button, steel lens mount, flash sync socket and a sculpted, rubberised hand-grip that is very nice to make use of.




Panasonic Lumix GH5 II

By default the Fn6 button cleverly toggles between displaying a reside preview of the consequences of the present aperture (successfully a digital model of Depth of Area Preview) and the present shutter pace. The latter will show particularly helpful for rookies, offering a visual manner of checking how completely different shutter speeds will have an effect on the seize of various topics – working water is an efficient instance.

Nearly all of the GH5 II’s exterior is matt black plastic, with the handgrip, right-hand and left-hand corners completed in a extra tactile rubberised coating.

Discovered on high of the Panasonic GH5 II are the burst mode/6K picture/bracketing/self-timer/time-lapse dial on the left, exterior flash hotshoe, stereo microphones, lockable taking pictures mode dial surrounded by the on/off swap, shutter launch button, entrance management dial, white steadiness, ISO and publicity compensation buttons, a customisable Photograph Kinds button and a big one-touch film document button that is now solely purple. There’s additionally a tiny LED to point if wi-fi is on or off or if USB charging is in operation.

The row of white steadiness, ISO and publicity compensation buttons make it extraordinarily simple to entry the digicam’s key publicity controls, whereas the twin management dials make it simple to make use of the absolutely Handbook taking pictures mode.

The GH5 II has each a conventional mechanical shutter and a silent digital shutter, which in addition to not spooking your topic ensures that your topic is totally sharp by avoiding pixel shifting. The Delay Shutter choice helps to take away the impact of hand-shake by releasing the shutter after a specified time (8, 4, 2 or 1 seconds).

The beginning-up time from turning the Lumix GH5 II on to being able to take a photograph is impressively fast at lower than a second. It takes about 1/2 second to retailer a JPEG picture, permitting you to maintain taking pictures as they’re being recorded onto the reminiscence card – there is no such thing as a perceptible LCD blackout between every picture. Storing a single RAW picture takes round 1 second and would not lock up the digicam in any manner – you need to use the menu system or shoot one other picture whereas the primary file is being written to reminiscence.




Panasonic Lumix GH5 II

The Panasonic Lumix GH5 II has a superb Burst mode which lets you take 12 frames per second with the main focus and publicity locked on the first body or 7.5fps with AF monitoring. The GH5M2 can now shoot constantly for as much as 999 JPEG photos on the highest picture high quality or 108 RAW recordsdata, in comparison with 600 JPEG and 60 RAWs for the GH5.

The standard taking pictures mode dial helps you to select from the completely different publicity modes. The same old collection of Program, Aperture Precedence, Shutter Precedence, and Handbook can be found for the extra skilled photographers.

Moreover there are 4 customized modes, marked C1, C2, C3 and C4, which let you configure your favorite settings and rapidly entry them, Clever Auto for much less skilled customers, and the Inventive Film mode which gives entry to all the digicam’s intensive vary of video choices.

The Panasonic Lumix GH5 II’s vary of twenty-two completely different filter results, which had been denoted by an artist’s palette on the GH5’s taking pictures mode dial, however at the moment are solely accessible through the primary menu system (successfully changed by the C4 mode). There are additionally 11 completely different customisable Photograph Kinds which nonetheless enable full management of the digicam’s settings.

The purple film document button on the highest, as you’d anticipate, permits you to begin recording a film with a single push of a button after which cease recording by urgent the identical button, no matter which taking pictures mode is at present chosen. It is a lot extra intuitive than having to pick out the film mode then press the shutter button, though you may nonetheless begin/cease film recording through the GH5 II’s shutter button if you want.

The Inventive Film taking pictures mode, accessed through the mode dial on high of the GH5 II, permits you to set the shutter pace, aperture or each settings manually throughout recording (a Program choice can also be obtainable). Altering the shutter pace is very appropriate for taking pictures fast-moving topics, while the flexibility to manage the aperture is handy when there are a number of topics at completely different distances.




Panasonic Lumix GH5 II

The Panasonic Lumix GH5 II has a plethora of film choices, making it one of the vital full-featured interchangeable lens cameras available on the market when it comes to video. It principally gives inner 10-bit 4:2:0 4K (3840 x 2160 pixels) at as much as 60fps with a bitrate of 150Mbps. Cinema 4K can also be obtainable in 10 bit 4:2:2 at as much as 30fps, as is Anamorphic recording as much as 60fps with the choice of picture stabilisation.

Against this, the GH5 can solely internally document 4:2:0 4K at 50/60fps price in 8-bit, though each fashions are equally able to outputting 4K 60p 10 bit in 4:2:2 to an exterior recorder.

The GH5 II makes use of the complete space of the sensor to document then downsamples it in-camera, which implies that your framing will not be cropped when composing.

The GH5 II is among the few cameras that is not geographically restricted, as you may select from each NTSC and PAL settings, so that you get the complete vary of body charges no matter the place you got the digicam. It is also able to recording constantly for a vast time in any mode till your reminiscence card is full.

One other attraction is the flexibility to output a 10-bit 4:2:0 sign through HDMI and document it internally on the identical time. You may set the luminance degree for 10-bit seize (0-1023, 64-940 or 64-1023), and the flat V-Log L profile is now pre-installed on the digicam relatively than being a pricey improve as on the GH5.

New Cinelike D2 / Cinelike V2 profiles have been inherited by the GH5 II from the flagship full-frame S1H video digicam, in addition to new video taking pictures help capabilities which embrace a body indicator (purple for video and blue for reside streaming), body markers, vertical place info, luminance spot metering, and the flexibility to filter the varied Rec High quality setting choices and register incessantly used mixtures for fast recall.




Panasonic Lumix GH5 II

The Variable Body Price choice permits you to set the video body price from 2fps to 180fps whereas recording Full HD video. Out there for each JPEG images and films, the EX Tele Conversion choice extends the focal size connected lens by 2x for nonetheless photos, by 1.4x for 4K/UHD video recording, and a pair of.7x for 1080p with none lack of picture high quality.

The Focus Transition software permits you to create three focus factors, between which the GH5 II routinely shifts the main focus at a continuing pace. There is a alternative of 5 completely different speeds, and you’ll select whether or not to begin the transition instantly when recording begins or add a 5 or 10 second delay.

Dolby-quality stereo sound is recorded throughout video seize through the inner mics on high of the digicam, which is a giant enchancment on the relatively muffled noises recorded by most digital cameras, helped by the wind lower perform which blocks out many of the noise from background wind.

You can even add the optionally available DMW-XLR1 XLR microphone adapter which attaches through the hotshoe and gives two XLR audio inputs with bodily switches and dials for altering the degrees, acquire, and low lower filter of every enter individually.

Reside streaming is probably the largest new characteristic that has been launched on the GH5M2. The GH5M2 is able to wi-fi reside streaming in 1080/60p at 16Mbps through the LUMIX Sync smartphone app, or by connecting on to a Wi-Fi router.

For reside Wired USB-LAN IP Streaming (FWUP), the devoted LUMIX Webcam Software program is offered totally free obtain. As well as, the brand new digicam will obtain a future firmware replace later in 2021 so as to add RTP/RTSP wired IP streaming.

In distinction, the older GH5 gives no reside streaming capabilities of any sort.




Panasonic Lumix GH5 II

On the rear of the Lumix GH5 II is the three inch OLED display with 100% scene protection, smaller than the one on the GH5 however crucially providing extra decision. The rotating, free-angle monitor, which is hinged on the left facet of the digicam (wanting from the rear), will be flipped out and twisted by way of 270 levels.

You need to use the display as a waist-level viewfinder, holding the digicam overhead, and even for turning the GH5 II on your self for arm-length self-portraits. There’s additionally the additional benefit of folding the display away towards the digicam physique to guard it when saved in a digicam bag, stopping it from changing into marked or scratched.

The 1,840K pixel display gives a wider color gamut and brightness that has been improved by 150% in comparison with the unique GH5.

The Auto Energy LCD perform routinely detects the present lighting circumstances and boosts the LCD backlighting by as much as 40% when taking pictures outdoor in shiny sunshine, serving to to maintain the display seen. The helpful degree gauge signifies the 2 instructions of horizontal lean and entrance/rear tilt.

The Panasonic Lumix GH5 II inherits the GH5’s intelligent touchscreen interface. Panasonic have properly restricted the quantity of issues that you are able to do by interacting with the display, and certainly you may nonetheless function the whole lot on the digicam with out having to push and prod the LCD in any respect.

You’d be lacking out on a variety of genuinely helpful performance, although, which actually improves the general taking pictures expertise. A intelligent characteristic known as Touchpad AF permits you to transfer the main focus level space along with your finger on the LCD when you’re wanting by way of the EVF.




Panasonic Lumix GH5 II

Essentially the most instantly noticeable perform is the flexibility to make use of the 1-area AF mode to focus in your foremost topic just by touching it on the LCD. If the topic then strikes, the Panasonic Lumix GH5 II cleverly follows it across the display utilizing the the AF monitoring perform. If the topic exits the body solely, merely recompose and faucet it once more to begin focusing. Spectacular stuff that makes specializing in off-center topics quick and intuitive.

It’s a little too simple to by accident press the display and set the main focus level to the fallacious space for the present topic, however a easy faucet in the midst of the LCD will middle the AF level (or you may flip this characteristic off altogether). The scale of the AF level itself may also be modified through an interactive onscreen slider.

If you happen to want to manually focus relatively than use the quick AF system, you may amplify any a part of the topic by 1x, 5x or 10x by merely dragging the picture across the display. The ultimate touchscreen capability from a picture composition viewpoint is the flexibility to launch the shutter, with a small icon on the fitting hand display enabling this performance, after which a single on-screen faucet all that is required to take the image.

The entire menu choices will be modified through the touchscreen interface, together with the Principal menu system. You can even management picture playback by touching the display, with the flexibility to faucet a thumbnail to see the full-size model, scroll by way of your photos by dragging them backward and forward, and magnifying them as much as 16x.

The Panasonic GH5 II has a really barely improved digital viewfinder. The OLED unit has a big 1.52x (0.76x on 35mm equiv.) magnification, 100% area of view, 1000:1 distinction ratio and three,680K-dot decision, leading to probably the greatest EVFs that we have ever used. The EVF (and in addition the primary LCD display) now operates at a local price of as much as 120fps, twice as quick because the GH5, which helps make it flicker-free.

There are three 6K Photograph capabilities – 6K Burst Taking pictures, 6K Burst (Begin/Cease) and 6K Pre-burst – which all document steady 18 megapixel stills at a 30fps taking pictures price. 6K Burst permits you to constantly document 18 megapixel photos at 30fps, 6K Pre-Burst does the identical however for one second previous to and one second after urgent the shutter button so as, supplying you with 60 frames to select from, and 6K Burst (S/S) permits you to playback your video, pause on the chosen second, and use the shutter button to mark a selected body from the video and reserve it as a single 18 megapixel body. The GH5 II additionally gives the identical choice for 4K Photograph, which doubles the seize pace to 60fps however lowers the efficient decision to eight megapixels.




Panasonic Lumix GH5 II

The Publish Focus mode permits you to take a sequence of images all with a distinct focus level, after which select your most popular one after you’ve got captured the shot. This may be extra helpful for some topics than others, for instance with macro it’s an incredible concept. Focus Stacking lets you take a number of photographs with completely different aperture values, then mix them right into a single picture and select how a lot of the topic is in focus, once more excellent news for macro photographers.

The Panasonic Lumix GH5 II additionally has a time lapse perform in which you’ll set the time interval and the variety of photos to take, plus a multi-exposure choice that allows you to mix as much as 4 exposures in a single body, whereas the Cease Movement Animation mode permits you to create distinctive cease movement movies.

The Wi-Fi perform (802.11ac) helps you to use your smartphone to vary the digicam settings (focus setting, publicity compensation, ISO, WB and Photograph Kinds) and even hearth the shutter button remotely (together with interval video recordings), whereas the auto switch perform routinely backs up your images onto a pill. You can even use GPS information out of your smartphone to document the taking pictures location onto your photos. The Bluetooth choice establishes a low-energy, everlasting connection between the digicam and a sensible machine for simpler switch of photos.

On the rear of the Panasonic Lumix GH5 II, from left to proper, is a Playback button, an LVF button for manually switching between the 2 viewing strategies (helpful in case you flip the attention sensor off) which may also be configured because the Fn5 button, conveniently positioned AF On button (rather than the shared AF/AE Lock button on the GH5) which is surrounded by the AF Sort swap, the rear management dial, which is used for, amongst different issues, altering the aperture and shutter pace by turning from left to proper and again once more, and a thumb-controlled joystick. This lets you rapidly and simply choose the AF level with out taking your eyes off the topic and is a really helpful inclusion.

Beneath are the Fast Menu/Fn2, Fn3/AF Mode and Show buttons. In taking pictures mode, the Show button alternates between turning the show off, the primary digicam settings as icons, no settings in any respect, and an Data Show which exhibits the present key settings in a transparent graphical format. You may moreover press the Q.Menu button after which use the navigation pad to maneuver between the onscreen choices.

The Q.Menu button gives fast entry to many of the principal controls, together with ISO pace, picture measurement, picture high quality and white steadiness (there are 16 settings in whole, relying upon the taking pictures mode chosen). You may nonetheless entry all of those choices from the primary menu system too.




Panasonic Lumix GH5 II

The Panasonic Lumix GH5 II has a conventional 4-way navigation pad system with a round scroll wheel and Menu/Set button within the centre. Not like different G-series cameras, the 4 instructions on the d-pad haven’t got a particular perform, aside from to maneuver by way of and choose choices, playback photos and many others. The round scroll wheel may also accomplish most of the identical issues. The Delete button beneath the navigation pad doubles up because the Fn4 button.

The primary menu system on the GH5 II may be very clear and straight-forward to make use of and is accessed by urgent the Menu/Set button in the midst of the navigation pad. There are as much as 6 foremost menus represented by a column of icons on the left of the display, relying on which taking pictures mode you are at present utilizing, which then present as much as 7 sub-menus every displaying 8 choices onscreen without delay.

On the underside of the Panasonic Lumix GH5 II is a steel tripod socket, importantly in-line with the center of the lens barrel, and the battery compartment housing the brand new DMW-BLK22 battery, and on the fitting facet are the Distant port and the twin and SD/SDHC/SDXC reminiscence card slots.

On the left is the Distant/Mic socket to be used with the optionally available distant shutter launch or 3.5mm exterior microphone, and three connection ports, together with a port for exterior headphones (once more 3.5mm in measurement), and a really welcome full-sized HDMI port for connecting the GH5 II to a HD tv or monitor.

Picture High quality

The entire pattern photos on this evaluation had been taken utilizing the 20M Nice JPEG picture measurement choice, which provides a median picture measurement of round 8Mb.

The Panasonic Lumix GH5 II produced photos of excellent high quality throughout the evaluation interval. It produces noise-free photos at ISO 100 to 1600, with restricted noise beginning to seem at ISO 3200. ISO 6400 and 12800 exhibit fairly seen noise and lack of superb element, whereas the quickest setting of 25600 appears a lot better on paper than in actuality.

The assorted Photograph Kinds and Filters mean you can rapidly and simply customise the look of the digicam’s JPEG photos earlier than you are taking them, whereas the Clever D-range mode extracts a bit extra element out of the shadow and spotlight areas. The evening {photograph} was wonderful, with the utmost shutter pace of 60 seconds permitting you to seize loads of mild.

Noise

There are 9 ISO settings obtainable on the Panasonic Lumix GH5 II which you’ll choose at any time if the digicam is in one of many inventive taking pictures modes. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and RAW codecs.

JPEG

RAW

ISO 100 (100% Crop)

ISO 100 (100% Crop)

iso100.jpg iso100raw.jpg

ISO 200 (100% Crop)

ISO 200 (100% Crop)

iso200.jpg iso200raw.jpg

ISO 400 (100% Crop)

ISO 400 (100% Crop)

iso400.jpg iso400raw.jpg

ISO 800 (100% Crop)

ISO 800 (100% Crop)

iso800.jpg iso800raw.jpg

ISO 1600 (100% Crop)

ISO 1600 (100% Crop)

iso1600.jpg iso1600raw.jpg

ISO 3200 (100% Crop)

ISO 3200 (100% Crop)

iso3200.jpg iso3200raw.jpg

ISO 6400 (100% Crop)

ISO 6400 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 12800 (100% Crop)

ISO 12800 (100% Crop)

iso6400.jpg iso6400raw.jpg

ISO 25600 (100% Crop)

ISO 25600 (100% Crop)

iso6400.jpg iso6400raw.jpg

File High quality

The Panasonic Lumix GH5 II has 2 completely different JPEG picture high quality settings obtainable, with Nice being the best high quality choice. Listed below are some 100% crops which present the standard of the varied choices, with the file measurement proven in brackets.

Nice (8.6Mb) (100% Crop)

Regular (4.11Mb) (100% Crop)

quality_fine.jpg quality_normal.jpg

RAW (23.1Mb) (100% Crop)

quality_raw.jpg

Night time

The Panasonic Lumix GH5 II’s most shutter pace is 60 seconds and there is additionally a Bulb choice for exposures as much as half-hour lengthy, which is good news in case you’re severely interested by evening pictures. The shot under was taken utilizing a shutter pace of 30 seconds at ISO 100. The digicam takes the identical period of time once more to use noise discount, so for instance on the 15 second setting the precise publicity takes 30 seconds.

iso6400.jpg

Photograph Kinds

Panasonic’s Photograph Kinds, just like Nikon’s Image Kinds, Canon’s Image Controls and Olympus’ Image Modes, are preset mixtures of various sharpness, distinction, saturation and noise discount settings. The 15 obtainable Photograph Kinds are proven under within the following sequence, which demonstrates the variations. There are additionally 4 Customized choices so as to create your individual appears.

Normal

photo_styles_01.jpg

Vivid

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Pure

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L.ClassicNeo

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Flat

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Panorama

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Portrait

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Monochrome

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L.Monochrome

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L.Monochrome D

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L.Monochrome S

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Cinelike D2

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Cinelike V2

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Like709

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V-Log L

photo_styles_09.jpg

Filter Results

The Panasonic Lumix GH5 II has an intensive vary of digital filter results, denoted by an artist’s palette within the taking pictures mode menu, with 22 completely different choices on provide.

Expressive

filters_01.jpg

Retro

filters_02.jpg

Outdated Days

filters_03.jpg

Excessive Key

filters_04.jpg

Low Key

filters_05.jpg

Sepia

filters_06.jpg

Monochrome

filters_07.jpg

Dynamic Monochrome

filters_08.jpg

Tough Monochrome

filters_09.jpg

Silky Monochrome

filters_10.jpg

Spectacular Artwork

filters_11.jpg

Excessive Dynamic

filters_12.jpg

Cross Course of

filters_13.jpg

Toy Impact

filters_14.jpg

Toy Pop

filters_15.jpg

Bleach Bypass

filters_16.jpg

Miniature

filters_17.jpg

Tender Focus

filters_18.jpg

Fantasy

filters_19.jpg

Star Filter

filters_20.jpg

One Level Coloration

filters_21.jpg

Sunshine

filters_22.jpg

Publish Focus and Focus Stacking

Publish Focus is a perform that permits customers to pick out the in-focus space after taking pictures just by touching it on the LCD display. The primary three photos present the consequences of switching between the three reminiscence playing cards.

The Publish Focus Stacking perform allows customers to take a number of photos of the identical body with completely different areas in focus, then mix all or chosen focus areas into one picture. The fourth picture under exhibits the impact of merging the primary three photos into one stacked picture.

iso6400.jpg
iso6400.jpg
iso6400.jpg
iso6400.jpg

Clever Dynamic Vary

The Panasonic Lumix GH5 II’s Clever Dynamic characteristic adjusts the publicity setting to document extra element within the highlights and shadows, with three strengths obtainable – low, normal and excessive.

A number of Publicity

Within the A number of Publicity mode the Panasonic Lumix GH5 II combines a number of frames to create a single picture.

Pattern Pictures

It is a collection of pattern photos from the Panasonic Lumix GH5 II digicam, which had been all taken utilizing the 20 megapixel Nice JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any manner.

Pattern RAW Pictures

The Panasonic Lumix GH5 II allows customers to seize RAW and JPEG format recordsdata. We have offered some Panasonic RAW (RW2) samples so that you can obtain (thumbnail photos proven under aren’t 100% consultant).

Pattern Films & Video

It is a pattern film on the high quality setting of 3840×2160 pixels at 50 frames per second. Please be aware that this 15 second film is 182Mb in measurement.

It is a pattern film on the high quality setting of 3840×2160 pixels at 25 frames per second. Please be aware that this 15 second film is 173Mb in measurement.

It is a pattern film on the high quality setting of 3840×2160 pixels at 25 frames per second. Please be aware that this 15 second film is 129Mb in measurement.

It is a pattern film on the high quality setting of 1920×1080 pixels at 50 frames per second. Please be aware that this 15 second film is 52Mb in measurement.

It is a pattern film on the high quality setting of 1920×1080 pixels at 25 frames per second. Please be aware that this 15 second film is 39Mb in measurement.

Product Pictures

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Conclusion

The brand new Lumix GH5 II is a relatively modest refresh of the unique GH5 that is designed to maintain the sequence related in 2021 and pique the curiosity of latest customers, relatively than persuade present GH5 house owners to improve.

With the upcoming GH6 already pre-announced and on the close to horizon, it’s possible you’ll be questioning why Panasonic have even bothered with the GH5 II. In spite of everything, the unique GH5 was considered one of their best-selling cameras of all time and even to today stays a mannequin that has a lot of enchantment for hybrid stills and videographers.

Clearly forward of its time in a variety of methods, the GH5 stays an incredible purchase even a full 4 years after its launch again in 2017, a lot in order that in case you’ll by no means use the Mark II’s foremost new characteristic, Reside Streaming, the unique digicam remains to be greater than price monitoring down on sale.

Having mentioned that, reside streaming alone might be sufficient to show the heads of some customers, because the GH5 II is at present one of many solely cameras that helps it with out having to make use of a pc to take action. Having the ability to wirelessly stream direct from the GH5 II to YouTube or an RTMP suitable platform through a cell or a Wifi hotspot definitely frees you up.

The opposite new options are extra nice-to-haves relatively than must-haves – the smaller however larger decision LCD display and the bigger battery have presumably been launched due to components availability within the provide chain, whereas the brand new processor permits for Lumix S5-series ranges of auto-focusing and video choices which are nice to see.

With help for USB-C charging, improved picture stabilisation and a now free V-Log L profile, these comparatively small adjustments do add as much as undoubtedly make the GH5 II a “higher” digicam than its predecessor, helped in no small half by a cheaper price tag on launch than the GH5 loved.

General, while it could not provide any earth-shattering new options or improvements (they’re presumably reserved for the GH6), the GH5 Mark II stays a well-thought-out, complete hybrid video/nonetheless digicam, similar to its predecessor, which on condition that we preferred it a lot first time round is a excessive accolade certainly.

5 stars

Scores (out of 5)
Design 4.5
Options 5
Ease-of-use 4.5
Picture high quality 5
Worth for cash 5

Principal Rivals

Listed under are a number of the rivals of the Panasonic Lumix GH5 II.

The EOS M50 Mark II is Canon’s latest entry-level mirrorless digicam for 2021. With 4K/25p and 1080/60p video modes, a flippy LCD display and various vlogger-friendly enhancements, plus a 24 megapixel APS-C sensor, 10fps burst taking pictures and Canon’s wonderful Twin Pixel AF system, might or not it’s the proper reasonably priced digicam for YouTubers, TikTokers and stills photographers alike? Discover out now by studying our Canon EOS M50 Mark II evaluation…

The Fujifilm X-T4 is the successor to the very fashionable X-T3, which was launched in 2018, principally including in-body picture stabilisation, significantly improved battery life, a faster and quieter mechanical shutter, enhanced steady AF and various design tweaks. Can the brand new X-T4 enhance on what was already an excellent digicam? Discover out now by studying our in-depth Fujifilm X-T4 evaluation…

Nikon have launched their first APS-C, cropped-sensor mirrorless digicam with the launch of the Z50, accompanied by two equipment zoom lenses. Can the Z50 tackle the likes of the effectively established Sony A6000-series and Canon EOS-M vary, to not point out Fujifilm with its line-up of fantastic APS-C our bodies and lenses? Discover out now by studying our in-depth Nikon Z50 evaluation.

The Nikon Z6 II mirrorless digicam is an evolutionary improve of the unique Z6, principally enhancing the autofocusing, buffer and video and including a second reminiscence card slot. Is that this sufficient to compete with its foremost rivals? Discover out now by studying our in-depth Nikon Z6 II evaluation, full with full measurement pattern images and movies…

The brand new OM-D E-M1 Mark III is a severe digicam for severe photographers, designed to showcase the easiest that Olympus has to supply. Within the more and more aggressive high-end digicam market, does it have what it takes to face out from the group and entice new customers in addition to fulfill present ones? Learn our Olympus OM-D E-M1 Mark III evaluation to search out out…

The Panasonic Lumix GH5 is among the most hotly-anticipated cameras of 2017, providing much more video choices than its standard predecessor and severely beefed up picture capabilities. Learn our in-depth Panasonic Lumix GH5 evaluation full with with pattern images, take a look at photographs, movies and extra…

The Panasonic Lumix GH5S is a brand new video-centric mirrorless digicam that excels in low-light circumstances due to it is 10 megapixel sensor, newest Venus processing engine, and revolutionary Twin Native ISO expertise. Try our Panasonic Lumix GH5S evaluation for our full verdict…

The Panasonic S5 is a model new hybrid full-frame mirrorless digicam that is equally as succesful at taking pictures each stills and video. In an ever extra crowded market, does the Lumix S5 provide sufficient to face out towards the likes of the Sony A7 III, Canon EOS R and Nikon Z6? Learn our in-depth evaluation of the Panasonic S5 to search out out, full with full-size pattern images and movies.

The A6600 is the brand new all-singing, all-dancing flagship digicam in Sony’s intensive vary of APS-C mirrorless cameras, however does it provide sufficient to out-gun each its foremost rivals and its cheaper siblings? Discover out now by studying our in-depth Sony A6600 evaluation, full with full-size pattern photos and movies.

It has been 5 lengthy years since its standard predecessor was launched, however now the brand new Sony A7S III full-frame mirrorless digicam is lastly with us! Is that this essentially the most succesful hybrid 4K video digicam obtainable as we speak? Discover out now by studying our in-depth Sony Alpha 7S III evaluation, full with full-size images and movies so that you can obtain and consider…

The Sony ZV-1 is a brand new compact digicam that is been constructed from the bottom up for vlogging, with a vari-angle display, quick auto-focusing, three-capsule course microphone, and a wealth of vlogger-friendly taking pictures modes. Is that this the last word digicam for aspiring YouTube creators? Learn our in-depth Sony ZV-1 evaluation to search out out…

Assessment Roundup

Critiques of the Panasonic Lumix GH5 II from across the net.

The clue is within the title. A Mark II model of something is prone to be a refresh relatively than a complete new digicam, and it’s the identical right here. However whereas the GH5 II would possibly seem superficially just like its predecessor, it incorporates a lot of enhancements and additions that make fairly a distinction whenever you add them collectively – and they’re much more spectacular given the worth.

Learn the complete evaluation »

If you happen to’re searching for a well-built, light-weight mirrorless digicam with wonderful dealing with, a implausible vary of video taking pictures choices and stable stills efficiency, the GH5 Mark II his effectively price a glance. The GH5 was already an incredible alternative, and the tweaks right here simply make it all of the extra interesting. If you happen to personal the unique GH5, although, the GH5 Mark II appears barely redundant: apart from minor efficiency upgrades and the addition of reside streaming, it’s largely unchanged. Until you actually need that live-streaming performance, you’re higher off ready for the Panasonic GH6.

Learn the complete evaluation »

Specs

TYPE

  • Sort

    • Digital Single Lens Mirrorless digicam
  • Recording media

    • SD Reminiscence Card / SDHC Reminiscence Card* / SDXC Reminiscence Card*
      *Appropriate with UHS-I/UHS-II UHS Velocity Class 3 normal SDHC/SDXC Reminiscence Playing cards and UHS-II Video Velocity Class 90 normal SDXC Reminiscence Playing cards.
  • Lens mount

IMAGE SENSOR

  • Sort

    • Reside MOS sensor (17.3 x 13.0 mm)
  • Digital camera efficient pixels / Whole pixels

    • 20.33 megapixels / 21.77 megapixels
  • AR (Anti Reflection) coating

  • Facet ratio / Coloration filter

    • 4:3 / Main shade filter
  • Mud discount system

LATITUDE

STILL IMAGE

  • Recording file format

    • Nonetheless picture
      • JPEG (DCF, Exif 2.31), RAW
    • 6K PHOTO (*¹) / 4K PHOTO (*¹)
      • 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2ch))
        4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2ch))
        Extracted nonetheless photos: JPEG (DCF, Exif 2.31)
  • Facet ratio

  • File measurement (Pixels)

    • 4:3
      • 5184×3888(L) / 3712×2784(M) / 2624×1968(S) / 4992×3744(6K PHOTO) / 3328×2496(4K PHOTO)
    • 3:2
      • 5184×3456(L) / 3712×2480(M) / 2624×1752(S) / 5184×3456(6K PHOTO) / 3504×2336(4K PHOTO)
    • 16:9
      • 5184×2920(L) / 3840×2160(M) / 1920×1080(S) / 3840×2160(4K PHOTO)
    • 1:1
      • 3888×3888(L) / 2784×2784(M) / 1968×1968(S) / 2880×2880(4K PHOTO)
  • Picture high quality

    • RAW / RAW+Nice / RAW+Normal / Nice / Normal
  • Coloration house

MOTION PICTURE

  • Recording file format

    • MOV: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: LPCM (2ch 48kHz/16-bit, 48kHz/24-bit*, 96kHz/24-bit*)) *When attaching DMW-XLR1 (offered individually).
      MP4: H.264/MPEG-4 AVC, H.265/HEVC (Audio format: AAC (2ch))
  • System frequency

    • 59.94Hz / 50.00Hz / 24.00Hz
  • Picture space of video

  • MOV (*¹) Excessive-res audio is selectable solely when utilizing the DMW-XLR1 (offered individually).

    • 59.94Hz [C4K] 4096×2160
      • 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 59.94Hz [4K] 3840×2160
      • 59.94p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 59.94Hz [Anamorphic 6K] 4992×3744 (4:3)
      • 29.97p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        23.98p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 59.94Hz [Anamorphic 4K] 3328×2496 (4:3)
      • 59.94p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio)
        29.97p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        23.98p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 59.94Hz [FHD] 1920×1080
      • 59.94p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        29.97p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        23.98p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 50.00Hz [C4K] 4096×2160
      • 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 50.00Hz [4K] 3840×2160
      • 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 50.00Hz [Anamorphic 6K] 4992×3744 (4:3)
      • 25.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 50.00Hz [Anamorphic 4K] 3328×2496 (4:3)
      • 50.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        50.00p, 150Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio)
        25.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 50.00Hz [FHD] 1920×1080
      • 50.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
        25.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 24.00Hz [C4K] 4096×2160
      • 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 24.00Hz [4K] 3840×2160
      • 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 24.00Hz [Anamorphic 6K] 4992×3744 (4:3)
      • 24.00p, 200Mbps (4:2:0 10-bit LongGOP)* (H.265/HEVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 24.00Hz [Anamorphic 4K] 3328×2496 (4:3)
      • 24.00p, 400Mbps (4:2:2 10-bit ALL-Intra)* / 150Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
    • 24.00Hz [FHD] 1920×1080
      • 24.00p, 200Mbps (4:2:2 10-bit ALL-Intra)* / 100Mbps (4:2:2 10-bit LongGOP)* / 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM, Excessive-Res Audio) *HLG is selectable.
  • MP4 (*¹)

    • 59.94Hz [4K] 3840×2160
      • 59.94p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        23.98p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        29.97p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • 59.94Hz [FHD] 1920×1080
      • 59.94p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        29.97p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        23.98p, 24Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • 50.00Hz [4K] 3840×2160
      • 50.00p, 100Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 72Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, AAC)
        25.00p, 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • 50.00Hz [FHD] 1920×1080
      • 50.00p, 28Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
        25.00p, 20Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, AAC)
    • 24.00Hz –

VARIABLE FRAME RATE

  • MOV (*¹) Excessive-res audio is selectable solely when utilizing the DMW-XLR1 (offered individually).

    • 59.94Hz [C4K] 4096×2160
      • 29.97p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 59.94Hz [4K] 3840×2160
      • 29.97p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 59.94Hz [Anamorphic 4K] 3328×2496 (4:3)
      • 29.97p (Most output of sensor is 50fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 48fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 59.94Hz [FHD] 1920×1080
      • 59.94p (Most output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        29.97p (Most output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        23.98p (Most output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 50.00Hz [C4K] 4096×2160
      • 25.00p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM) 
    • 50.00Hz [4K] 3840×2160
      • 25.00p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 50.00Hz [Anamorphic 4K] 3328×2496 (4:3)
      • 25.00p (Most output of sensor is 50fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 50.00Hz [FHD] 1920×1080
      • 50.00p (Most output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
        25.00p (Most output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 24.00Hz [C4K] 4096×2160
      • 24.00p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 24.00Hz [4K] 3840×2160
      • 24.00p (Most output of sensor is 60fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 24.00Hz [Anamorphic 4K] 3328×2496 (4:3)
      • 24.00p (Most output of sensor is 48fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)
    • 24.00Hz [FHD] 1920×1080
      • 24.00p (Most output of sensor is 180fps), 100Mbps (4:2:0 8-bit LongGOP) (H.264/MPEG-4 AVC, LPCM)

STREAMING

  • Protocol

  • Streaming high quality

    • NTSC (59.94Hz) [FHD] 1920×1080
      • 59.94p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is ready.
        29.97p, 6Mbps / 3Mbps (H.264)
    • NTSC (59.94Hz) [HD] 1280×720
      • 59.94p, 6Mbps (H.264)
        29.97p, 4Mbps (H.264)
    • PAL (50.00Hz) [FHD] 1920×1080
      • 50.00p, 16Mbps* / 8Mbps (H.264) *Not selectable when RTMPS is ready.
        25.00p, 6Mbps / 3Mbps (H.264)
    • PAL (50.00Hz) [HD] 1280×720
      • 50.00p, 6Mbps (H.264)
        25.00p, 4Mbps (H.264)

VIEWFINDER

  • Sort

  • Pixels

    • Approx. 3.68 million dots
  • Area of view / Magnification

    • Approx. 100% / Approx. 1.52x / 0.76x (35mm digicam equal) with 50 mm lens at infinity; -1.0 m-1, when the facet ratio is ready to 4:3
  • Eye level / Diopter adjustment

    • Approx. 21 mm at infinity; -1.0 m-1 / -4.0 – +3.0 (dpt)
  • Eye sensor

  • Show pace

REAR MONITOR

  • Sort

    • TFT LCD monitor with static contact management
  • Monitor measurement

    • Free-angle, 3.0-inch (7.5cm), 3:2 facet
  • Pixels

    • Approx. 1.84 million dots
  • Area of view

FOCUS

  • Sort

  • DFD expertise

  • Focus mode

    • AFS (Single) / AFC (Steady) / MF
  • AF mode

    • Auto Detection (Face, Eye, Physique, Animal) / Monitoring / 225-Space / Zone (Vertical/Horizontal) / Zone (Sq.) / Zone (Oval) / 1-Space+ / 1-Space / Pinpoint / Customized 1, 2, 3
      (Full space contact is offered) (Scalable AF body measurement and versatile AF place)
  • AF detective vary

    • EV -4 – 18 (F2.0, ISO100 equal, AFS)
  • AF customized setting

    • AF Sensitivity, AF Space Switching Sensitivity, Shifting Object Prediction
  • AF help mild

  • AF lock

    • Set the Fn button in customized menu to AF lock
  • Publish Focus / Focus Stacking

  • Focus Ring Management

    • Nonlinear / Linear *When a suitable lens is connected.
  • Others

    • Focus Peaking, 1-Space AF Shifting Velocity, AF-ON, AF-ON: Close to Shift, AF-ON: Far Shift, Focus/Shutter Precedence, Focus Switching for Vert/Hor, AF/AE Lock Maintain, AF+MF, MF Help, MF Information, Focus Ring Lock, Present/Disguise AF Mode, AF-Level Scope, Shutter AF, Half Press Launch, Fast AF, Steady AF (throughout movement image recording), Eye Sensor AF, Loop Focus Body, AFC Begin Level (225-Space), Contact Shutter, Contact AF/AE Operate, Contact Pad AF, Lens Focus Resume

EXPOSURE CONTROL

  • Mild metering system

    • 1,728-zone multi-pattern sensing system
  • Mild metering mode

    • A number of / Middle Weighted / Spot / Spotlight Weighted
  • Metering vary

    • EV0-18 (F2.0 lens, ISO100 equal)
  • Recording mode

    • Program AE / Aperture Precedence AE / Shutter Precedence AE / Handbook Publicity / Inventive Video / Customized 1, 2, 3, 4 / Clever Auto
  • ISO sensitivity (Normal output sensitivity)

    • Nonetheless picture: Auto / 100 (Prolonged) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step)
      Inventive Video Mode: Auto / 100 (Prolonged) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step)
  • Publicity compensation

    • 1/3 EV step ±5EV (±3EV for movement image)
  • AE lock

    • Set the Fn button in customized menu to AE lock

IMAGE STABILIZATION SYSTEM

WHITE BALANCE

  • White steadiness

    • AWB / AWBc / AWBw / Daylight / Cloudy / Shade / Incandescent / Flash / White Set 1, 2, 3, 4 / Coloration temperature setting 1, 2, 3, 4
  • White steadiness adjustment

    • Blue/Amber bias, Magenta/Inexperienced bias
  • Coloration temperature setting

SHUTTER

  • Sort

  • Shutter pace

    • Nonetheless picture: Bulb (Max. half-hour), 1/8,000 – 60
      Digital entrance curtain shutter: Bulb (Max. half-hour), 1/2,000 – 60
      Digital shutter: Bulb (Max. 60 sec), 1/16,000 – 60
      Movement image: 1/16,000 – 1/25
      Inventive Video M mode / MF mode: 1/16,000 – 1/2
  • Self timer

    • 10sec, 3 photos / 2sec / 10sec / Customized Time
  • Distant management

    • Distant management by DMW-RS2 (offered individually)
  • Silent mode / Shutter sort

    • Sure / Sure (Auto / Mechanical / Digital entrance curtain / Digital / Digital+NR)

BRACKET

  • AE bracket

    • 3, 5, 7 photos in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst
  • Aperture bracket

  • Focus bracket

    • 1 to 999 photos, focus steps will be set in 10 ranges
  • White steadiness bracket

    • 3 photos in blue/amber axis or in magenta/inexperienced axis, shade temperature setting

BURST SHOOTING

  • Burst pace

    • Mechanical shutter / Digital entrance curtain shutter
      • AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Reside View), L: 2 frames/sec (with Reside View)
        AFC: H: 9 frames/sec (with Reside View), M: 7 frames/sec (with Reside View), L: 2 frames/sec (with Reside View)
    • Digital shutter
      • AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Reside View), L: 2 frames/sec (with Reside View)
        AFC: H: 7 frames/sec (with Reside View), M: 7 frames/sec (with Reside View), L: 2 frames/sec (with Reside View)
  • Variety of recordable photos

    • RAW / RAW+JPEG: Greater than 108 photos
      JPEG: Greater than 999 photos (When utilizing a card with SD Velocity Class with “UHS-II UHS Velocity Class 3 (U3)” inserted into card slot 1.)
      *When recording is carried out underneath the take a look at circumstances specified by Panasonic.

6K PHOTO (*¹) / 4K PHOTO (*¹)

  • Burst pace

    • 6K PHOTO: 30 frames/sec
      4K PHOTO: 60 frames/sec, 30 frames/sec
  • Exif info

    • Sure (Every JPEG picture cropped out of the 6K/4K burst file complies with EXIF.)

TIME LAPSE SHOT

STOP MOTION ANIMATION

FLASH

  • Flash sort

    • TTL Exterior Flash (offered individually)
  • Flash mode

    • Auto* / Auto/Crimson-eye Discount* / Pressured On / Pressured On/Crimson-eye Discount / Gradual Sync. / Gradual Sync./Crimson-eye Discount / Pressured Off *For iA solely.
  • Flash synchronization

    • 1st Curtain Sync, 2nd Curtain Sync.
  • Flash output adjustment

  • Synchronization pace

  • Wi-fi management

    • Sure (When utilizing DMW-FL200L / FL360L / FL580L (offered individually)), Wi-fi Channel: 1ch/2ch/3ch/4ch
  • Flash sync socket

EXTRA TELE CONVERSION

  • 2.0x (EX S), 1.4x (EX M) *Just for nonetheless picture recording.

PHOTO STYLE

  • Photograph Fashion

    • Normal / Vivid / Pure / L. Basic Neo / Flat / Panorama / Portrait / Monochrome / L. Monochrome / L. Monochrome D / L. Monochrome S / Cinelike D2 / Cinelike V2 / Like709 / V-Log L / Hybrid Log Gamma / My Photograph Fashion 1-10
  • Image adjustment

    • Distinction / Spotlight / Shadow / Saturation / Coloration Tone / Hue / Filter Impact / Grain Impact / Coloration Noise / Sharpness / Noise Discount / ISO / WB
      *Adjustable settings fluctuate relying on the Photograph Fashion mode.

FILTER

  • Expressive / Retro / Outdated Days / Excessive Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Tough Monochrome* / Silky Monochrome* / Spectacular Artwork / Excessive Dynamic / Cross Course of / Toy Impact / Toy Pop / Bleach Bypass / Miniature Impact / Tender Focus* / Fantasy / Star Filter* / One Level Coloration / Sunshine*
    *For images solely.

MOTION PICTURE FUNCTION

  • Grasp pedestal degree

  • Luminance degree

    • 8-bit: 0-255 / 16-235 / 16-255
      10-bit: 0‒1023 / 64‒940 / 64‒1023
  • Wave type monitor / Vectorscope

  • LUT view help

  • HLG view help

    • Monitor (MODE1 / MODE2 / OFF) / HDMI (AUTO / MODE1 / MODE2 / OFF)
  • Anamorphic desqueeze show

    • 2.0x / 1.8x / 1.5x / 1.33x / 1.30x / OFF
  • Synchro scan

  • Time code

    • Depend Up: Rec Run/Free Run selectable, Time Code Mode: Drop body/Non-drop body selectable (When NTSC (59.94Hz) is chosen.)
  • SS/Achieve operation

    • Shutter Period/ISO / Angle/ISO / Shutter Period/dB
  • Coloration bars / 1kHz take a look at tone

    • Sure (SMPTE / EBU / ARIB) / Sure
  • Knee management

  • Different capabilities

    • Crimson REC Body Indicator, Streaming Blue Body Indicator,

VERTICAL POSITION INFORMATION

  • Nonetheless picture / Movement image (ON/OFF)

LEVEL GAUGE

FUNCTION BUTTON

  • REC

    • Publicity Comp. / Sensitivity / White Stability / Photograph Fashion / Metering Mode / Facet Ratio / Image High quality / Image Dimension / 1 Shot Spot Metering / Lengthy Publicity NR / Min. Shutter Velocity / 1 Shot RAW+JPG / i.Dynamic Vary / Filter Impact / One Push AE / Contact AE / Publicity Mode / Synchro Scan / AF Mode / AF Customized Setting(Photograph) / AF Customized Setting(Video) / Focus Peaking / Focus Peaking Sensitivity / 1-Space AF Shifting Velocity / Focus Ring Lock / AE LOCK / AF LOCK / AF/AE LOCK / AF-ON / AF-ON: Close to Shift / AF-ON: Far Shift / AF-Level Scope / Focus Space Set / Flash Mode / Flash Regulate. / Wi-fi Flash Setup / Drive Mode / 1 Shot “6K/4K PHOTO” / Bracketing / Silent Mode / Picture Stabilizer / Shutter Sort / Ex. Tele Conv. / Reside View Composite / Movement Pic. Rec File Format / Movement Pic. Rec High quality / Movement Pic. Rec High quality (My Record) / Variable Body Price / Time Code Show / Sound Rec Degree Disp. / Mute Sound Enter / Sound Rec Degree Adj. / Sound Rec Degree Limiter / XLR Mic Adaptor Setting / Particular Mic. Directivity Regulate / Picture Stabilizer / E-Stabilization (Video) / Enhance I.S. (Video) / Picture Space of Video / Focus Transition / Reside Cropping / Q.MENU / Rec/Playback Swap / Video Report / LVF/Monitor Swap / Operation Lock / Dial Operation Swap / Preview / Preview Aperture Impact / Fixed Preview / Degree Gauge / Histogram / Luminance Spot Meter / Body Marker / Photograph Grid Line / Reside View Enhance / Monochrome Reside View / Night time Mode / LVF/Monitor Disp. Set / Video-Precedence Show / Zebra Sample / LUT View Help (Monitor) / LUT View Help (HDMI) / LUT Choose / HLG View Help(Monitor) / HLG View Help (HDMI) / Sheer Overlay / I.S. Standing Scope / WFM/Vector Scope / Anamorphic Desqueeze Show / Coloration Bars / Focus Ring Management/ Zoom Management / Step Zoom / Zoom Velocity / Vacation spot Card Slot / Off (Disable Press and Maintain) / Restore to Default
  • PLAY

    • Amplify from AF Level / LUT View Help (Monitor) / HLG View Help (Monitor) / Anamorphic Desqueeze Show / RAW Processing / 6K/4K PHOTO Bulk Saving / Delete Single / Shield / Ranking 1, 2, 3, 4, 5 / Copy / Rec/Playback Swap / LVF/Monitor Swap / Video Report / Night time Mode / Card Slot Change / Wi-Fi / Ship Picture (Smartphone) / LUT View Help (HDMI) / HLG View Help (HDMI) / 6K/4K Photograph Play / No Setting / Off (Disable Press and Maintain) / Restore to Default

PRINT

INTERFACE

  • USB

    • SuperSpeed USB 3.1 Gen1 Sort-C
  • HDMI (*²)

    • HDMI
    • Monitor-through
      • 4:2:2 10bit (When [Rec Quality] is ready to [4:2:2 10bit] or [4:2:0 10bit].)
        4:2:2 8bit (When [Rec Quality] is ready to [4:2:0 8bit].)
        Down Convert: Auto / 4K / 1080p / 1080i / OFF
    • Playback
      • 59.94Hz: Auto / C4K/60p / C4K/30p / 4K/60p / 4K/30p / 1080p / 1080i / 720p / 480p
        50.00Hz: Auto / C4K/50p / C4K/25p / 4K/50p / 4K/25p / 1080p / 1080i / 720p / 576p
        24.00Hz: Auto / C4K/24p / 4K/24p / 1080p
  • Distant enter

  • Microphone

    • Stereo, Wind Noise Canceller: OFF / Low* / Normal / Excessive *When attaching DMW-MS2 (offered individually).
  • Exterior microphone / exterior audio machine enter

    • φ3.5mm for exterior microphone / exterior audio machine
      MIC (Plug-in Energy) / MIC / LINE is selectable.
      Stereo/Lens Auto/Shotgun/Tremendous Shotgun/Handbook is selectable when attaching DMW-MS2 (offered individually).
  • XLR microphone

    • Sure with DMW-XLR1 (offered individually)
  • Speaker

  • Headphone output

  • SD card slot

WIRELESS

  • Wi-Fi

    • 2.4GHz (STA/AP) (IEEE802.11b/g/n)
      5GHz (STA) (IEEE 802.11a/n/ac) *5GHz Wi-Fi will not be obtainable in some international locations.
  • Bluetooth

    • Bluetooth® v4.2 (Bluetooth Low Vitality (BLE))

DUST AND SPLASH RESISTANT*

  • Sure.
    *Mud and Splash Resistant doesn’t assure that injury is not going to happen if this digicam is subjected to direct contact with mud and water.

POWER

  • Battery

    • Li-ion Battery Pack (7.2V, 2200mAh, 16Wh) (bundled)
      USB energy provide, USB energy charging, USB energy supply
  • Battery life (CIPA normal)

    • Approx. 400 photos, 1200 photos (Energy Save LVF mode*) with H-ES12060 / DMW-BLK22
      Approx. 410 photos, 1200 photos (Energy Save LVF mode*) with H-FS12060 / DMW-BLK22
      *Underneath the take a look at circumstances specified by Panasonic based mostly on CIPA normal. When the time to get within the sleep mode is ready to 1 sec.
  • Steady recordable time (Movement image) (*¹)

    • MP4 [4K/60p]: Approx. 120 min with H-ES12060 / H-FS12060
      MP4 [FHD/60p]: Approx. 140 min with H-ES12060 / H-FS12060
  • Precise recordable time (Movement image) (*¹)

    • MP4 [4K/60p]: Approx. 60 min with H-ES12060 / H-FS12060
      MP4 [FHD/60p]: Approx. 70 min with H-ES12060 / H-FS12060
  • Battery grip

    • DMW-BGGH5 (offered individually)

DIMENSIONS / WEIGHT

  • Dimensions (W x H x D)

    • Approx. 138.5 x 98.1 x 87.4 mm / 5.45 x 3.86 x 3.44 inch (excluding protrusions)
  • Weight

    • Approx. 727g / 1.60 lb (SD Reminiscence Card x 1, Battery, Physique)
      Approx. 647g / 1.43 lb (Physique solely)

OPERATING ENVIRONMENT

  • Working temperature (*³)

    • -10oC to 40oC (14oF to 104oF)
  • Working humidity

STANDARD ACCESSORIES

  • Software program

    • Recording
      • LUMIX Sync
        ・ This software program is used to manage a Panasonic digital digicam from a smartphone. Verify the positioning under to obtain and set up the software program.
        https://panasonic.jp/help/world/cs/dsc/ (For Android™ / iOS)

        LUMIX Community Setting Software program
        ・ This software program is used to put in writing in streaming vacation spot setting info into an SD card from a pc. Verify the positioning under to obtain and set up the software program.
        https://panasonic.jp/help/world/cs/dsc/ (For Home windows / Mac)

        LUMIX Tether
        ・ This software program is used to manage a Panasonic digital digicam from a pc. It permits you to change varied settings of the digicam, carry out distant recording, and save remotely recorded photos to the PC. Verify the positioning under to obtain and set up the software program.
        http://panasonic.jp/help/world/cs/tender/obtain/d_lumixtether.html (For Home windows / Mac)

    • Playback / Modifying
      • ・ The software program to course of RAW file on pc will not be bundled with this digicam. To do that, SILKYPIX Developer Studio is offered for obtain at Ichikawa Tender Laboratory’s web site utilizing pc linked to the Web.
        http://www.isl.co.jp/SILKYPIX/english/p/ (For Home windows / Mac)
  • Normal equipment

    • DC-GH5M2 Package
      Physique Cap, Scorching Shoe Cowl, Eye Cup, Flash Synchro Socket Cap, Cowl for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, USB Connection Cable (A-C), Cable Holder

      DC-GH5M2L Package / DC-GH5M2M Package
      Physique Cap, Scorching Shoe Cowl, Eye Cup, Flash Synchro Socket Cap, Cowl for the Battery Grip Connector, Shoulder Strap, Battery Pack, Battery Charger, AC Adaptor, USB Connection Cable (A-C), Cable Holder, Lens Cap, Lens Hood, Lens Rear Cap

      ・ The Working Directions for superior options is offered for downloaded at Panasonic LUMIX Buyer Help Web site utilizing PC, smartphone or pill linked to the Web.

Be aware

  • (*¹) About movement image recording
    – Use a card with SD Velocity Class with “Class 4” or larger when recording movement photos in [MP4(under 28Mbps)].
    – Use a card with SD Velocity Class with “UHS-I / UHS-II UHS Velocity Class 3 (U3)” when recording movement photos with [MP4] in [4K] or [MOV].
    (SD pace class is the pace normal relating to steady writing.)
    – Video Velocity Class 60 or larger is required for ALL-Intra 400Mbps recording. Use of SD Reminiscence Card with Video Velocity Class 60 or larger is beneficial for C4K/4K ALL-Intra video recording.
    – MP4 movement photos with [MP4] in [4K]:
    – When utilizing an SDHC reminiscence card: You may proceed recording with out interruption even when the file measurement exceeds 4 GB, however the movement image file might be divided and recorded/performed again individually.
    – When utilizing an SDXC reminiscence card: You may proceed recording with out interruption even when the file measurement exceeds 96 GB or 3 hours 4 minutes in size, however the movement image file might be divided and recorded/performed again individually.
    – MP4 movement photos with [MP4] in [FHD]:
    – You may proceed recording with out interruption even when the file measurement exceeds 4 GB or half-hour in size, however the movement image file might be divided and recorded/performed again individually.
    – 4:2:2 10-bit recording is a recording mode for movie manufacturing and the video must be processed on PC.
    The unique video can’t be performed on normal TV, Blu-ray Disc™ recorder and Blu-ray Disc™ participant.
    It could trigger issues equivalent to freezing when performed on these gadgets.
    – When the ambient temperature is excessive or steady recording is carried out, the digicam could cease the recording to guard itself. Wait till the digicam cools down.

    (*²) For [C4K/60p] [C4K/50p] [4K/60p] [4K/50p] video output, use an HDMI2.0 cable that has the HDMI brand on it, and that’s described as”4K suitable”.

    (*³) The digicam could cease recording when utilized in decrease or larger than beneficial working temperature: -10 to 40 levels.

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