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Fujifilm XF 50mm F1.0 R WR subject evaluation: Digital Pictures Overview


Introduction

The Fujifilm Fujinon XF 50mm F1.0 R WR is an particularly shiny portrait prime for the corporate’s X-mount cameras. As its super-fast most aperture (and corresponding premium pricing) would possibly recommend, it is one thing of a distinct segment product.

With a roughly 75mm-equivalent focal size after accounting for the APS-C sensor dimension utilized by X-mount our bodies, it is aimed toward each photographers and videographers in search of shallow depth of subject for an aesthetic paying homage to that from a full-frame digital camera.

Out there since Fall 2020, it carries listing pricing of $1,499.95.

All pictures edited in Adobe Digital camera Uncooked 13 with changes restricted to white steadiness, publicity, highlights, shadows, white and black ranges. Sharpening and noise discount at ACR defaults.



Key specs:

  • Mount: Fuji X-mount
  • Focal size: 50mm (75mm with APS-C crop)
  • Aperture vary: F1.0 – F16
  • Stabilization: No
  • Filter thread: 77mm
  • Shut focus: 0.7m (27.6″)
  • Most magnification: 0.08x
  • Diaphragm blades: 9
  • Hood: Included
  • Weight: 845g (1.86 lb)
  • Optical development: 12 parts in 9 teams (2 ED, 1 aspherical)
ISO 160 | 1/8000 sec | F1 | Fujifilm X-T4
Picture by Chris Niccolls

Fujifilm’s 50mm F1.0 R WR has two pretty shut options among the many firm’s XF lens lineup: There’s the far more inexpensive XF 56mm F1.2 R, in addition to the associated XF 56mm F1.2 R APD which is priced identically to the 50mm F1.0.

Compared to these options, the 50mm is each simply barely wider-angle and brighter than both, however it’s additionally a lot bulkier and heavier. It weighs greater than twice as a lot as do the 56mm optics, whereas its barrel is 14mm (0.5″) wider and 34mm (1.4″) longer. It additionally necessitates use of pricier 77mm filters, versus the extra inexpensive 62mm filter dimension utilized by the 56mm lenses.

ISO 160 | 1/40 sec | F2.8 | Fujifilm X-T4
Picture by Jordan Drake

It is price noting, although, that it is also weather-sealed, whereas neither 56mm lens contains any sealing to maintain out the weather. It additionally has a nine-bladed aperture, as in comparison with seven-bladed irises within the 56mm lenses.

After all, that does not inform your entire story for the 56mm APD. It has a price ticket 50% larger than the usual 56mm (and an identical to that of the brighter 50mm) for a motive. Its design features a circular-graduated apodization filter which softens its bokeh on the expense of some gentle transmission and the requirement that you just use slower contrast-detection autofocus even on digital camera our bodies that will in any other case be able to hybrid AF.

ISO 160 | 1/1250 sec | F2 | Fujifilm X-T4
Picture by Chris Niccolls

In case your main purpose is to economize, you may need to examine the 50mm F1.0 to the 56mm F1.2. However in order for you the very best bokeh – and in case you’re contemplating shopping for an F1.0 or F1.2 lens, that is most likely true – then you definately’ll need to examine it with the APD model as a substitute, negating the worth distinction and leaving dimension, weight, climate sealing and focus efficiency as the primary differentiators.

In comparison with…

Fuji XF 50mm F1.0 R WR Fuji XF 56mm F1.2 R Fuji XF 56mm F1.2 R APD

Value (MSRP)

$1499 $999 $1499
Optical development 12 parts, 9 teams 11 parts, 8 teams 11 parts, 8 teams plus apodization filter
Aperture blades 9 7 7
Climate sealed Sure No No
AF drive DC motor DC motor DC motor
Minimal focus distance / max magnification 0.70 m (27.6″) / 0.08x 0.70 m (27.6) / 0.09x 0.70 m (27.6″) / 0.09x
Filter dimension 77mm 62mm 62mm
Diameter x Size
(no hood)

87mm x 104mm (3.4″ x 4.1″)

73mm x 70mm (2.9″ x 2.7″)

73mm x 70mm (2.9″ x 2.7″)

Weight

845g (29.8oz)

405g (14.3oz)

405g (14.3oz)

Lastly, it’s price mentioning that Fujifilm has yet one more prime lens on this focal size – the inexpensive, optically glorious however much less formidable XF 50mm F2 R WR. It is in a fairly totally different class than the choices above, however it stays a stable possibility within the Fujifilm lineup in case you’re searching for a portrait prime that will not break the financial institution or your again.


Dealing with

The Fujifilm XF 50mm F1.0 R WR is greater, bulkier and heavier than some other Fuji XF prime lens of the same focal size. In reality, amongst all XF primes solely the XF 200mm F2 is heavier or has a broader barrel, whereas solely the 80mm, 90mm or 200mm primes are longer. (The 200mm F2 completely dwarfs the 50mm, although.)

With that mentioned, it is nonetheless not likely that large when one considers its shiny F1.0 most aperture, nor does it actually really feel unduly heavy both. It feels fairly just like a typical 85mm F1.4 lens on a full-frame digital camera, and its magnesium alloy barrel remains to be simply manageable.

Stability is sort of good with a bigger physique just like the Fuji X-T4 we shot with, however with smaller our bodies the 50mm F1.0 will doubtless really feel fairly front-heavy. In-hand, the lens feels extraordinarily stable, and the all-metal development oozes high quality.

The outside of the lens barrel is extraordinarily clear, with solely two controls on provide. Save for each handbook focus and aperture rings, there are not any different controls by any means, with the 50mm F1.0 foregoing the buttons and switches that adorn many trendy lenses.

Each the main focus and aperture rings are fly-by-wire fairly than mechanically-coupled. The handbook focus ring strikes easily and gives good accuracy with a just-right quantity of dampening. The aperture ring strikes in 1/3 detents, providing the same really feel to Fujifilm’s different high-end primes.

The aperture ring is clearly labeled in white textual content, and likewise gives a pink “A” place permitting for automated aperture management. When set thusly, the lens will management aperture mechanically in case you’re in Program Auto or Shutter Precedence modes, however will hand off aperture management to your digital camera’s command dial in case you’re capturing along with your digital camera physique in Aperture Precedence or full Handbook management.

There is no in-lens picture stabilization, a characteristic Fuji presents solely in its zooms and a few primes with focal lengths above 80mm. There’s, nevertheless, complete sealing towards mud and moisture. In all there are 11 seals defending each management rings, joins between elements and the interface between lens mount and digital camera physique.

Up entrance, there is a 77mm filter thread, a reasonably frequent dimension however one which can show a bit pricier for filter purchases than will the 62mm filter threads of Fuji’s 56mm lenses.


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Autofocus and focus respiration

With a DC motor offering for autofocus drive, and a substantial-enough mass being moved that you would be able to really feel the AF drive in operation, it isn’t stunning that AF efficiency is not a robust level of the XF 50mm F1.0. It is positively on the slower aspect, with a full-rack AF time of of roughly 0.8s to 1s for the lens to transition from MFD to infinity. In observe, it feels notably sluggish.

When capturing portraits within the studio, that is no large deal. However for much less managed topics like weddings, avenue images, candids or low-light journalism, it is borderline and you might end up with missed pictures in consequence. And for sports activities, it is merely not ample to maintain up with the motion (and never essentially this lens’ purview anyway).

ISO 160 | 1/125 sec | F8 | Fujifilm X-T4
Picture by Chris Niccolls

We additionally famous some occasional points with autofocus trying to find heavily-defocused scenes, doubtless exacerbated by the lens’ unusually quick most aperture. And with a minimal focusing distance of 70 cm (27.6″) for a most magnification of simply 0.08x (1:12.5), we additionally discovered ourselves wishing we may get nearer to our topics greater than as soon as, particularly for tightly-cropped portraits of smaller toddler faces. (We did not have comparable issues for adults, nevertheless.)

ISO 320 | 1/160 sec | F1 | Fujifilm X-T4
Picture by Jordan Drake

There’s some excellent news for videographers, nevertheless. We have been stunned – shocked, even – to search out that there is no seen focus respiration, one thing that tends to plague lenses of this kind. That makes the XF 50mm F1.0 an intriguing possibility for cinema shooters in search of actually shallow depth of subject.

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Picture high quality

As you would possibly count on of a portrait-oriented lens with such a large aperture, the XF 50mm F1.0 supply actually luscious, creamy bokeh, however does so on the expense of picture high quality in another respects. A scarcity of sharpness wide-open is to be anticipated and is not essentially a priority for a lens of this kind, however vital LoCA may show to be extra troublesome in real-world capturing.

When capturing wide-open, outcomes aren’t that crisp, as you may see by evaluating to this comparable shot stopped all the way down to F2.8. Extra sharpening in post-processing would assist, although.
ISO 160 | 1/10000 sec | F1 | Fujifilm X-T4
Picture by Chris Niccolls

Sharpness

Extensive-open sharpness is not a power of the Fuji 50mm F1.0, however in a lens primarily aimed toward portraiture, it isn’t essentially what potential consumers will probably be searching for within the first place. At its most aperture of F1.0 it is simply not very sharp, and though you may see enhancements as you cease down, even picture shot at F1.4 and F2 can look tender, and you will not hit the candy spot by way of sharpness till round F2.8.

ISO 160 | 1/60 sec | F1.0 | Fujifilm X-T4
Picture by Chris Niccolls

The excellent news, although, is that whereas it isn’t tack-sharp at its widest apertures, it however delivers a really flat aircraft of focus. No matter the place within the picture you set focus from and what aperture you are capturing at, middle to nook sharpness may be very constant. And naturally, in case you want a crisper picture when capturing at F2.0 or wider, you may at all times sharpen a bit in post-processing.

Bokeh

As you’d count on of a lens that is clearly designed to yield a shallow depth-of-field, the XF 50mm F1.0’s bokeh is certainly on level. When capturing wide-open, it is very well-behaved, yielding very clean bokeh with not a touch of onion ring or cleaning soap bubble results. Its bokeh is clear and delightful, as is the transition from foreground to background.

“Jordan, get off your telephone!”
ISO 160 | 1/500 sec | F1.6 | Fujifilm X-T4
Picture by Chris Niccolls

Actually, there are solely a few minor issues by way of bokeh. Firstly, we seen an inclination in direction of cat’s eye when capturing at apertures wider than F2.0, even in direction of the middle of the body. It is principally passed by F2.0. And regardless of the 50mm F1.0’s nine-bladed aperture, you may begin to discover the bokeh taking over a barely polygonal form from round F2.0 or 2.8 or narrower.

However with that mentioned, these are comparatively minor points. Total, this lens’ bokeh may be very fascinating certainly, simply as you’d count on.

Flare, ghosting and sunstars

The Fuji XF 50mm F1.0 has glorious flare and ghosting-resistance, particularly when utilizing the extremely efficient lens hood which comes included within the product bundle. Even with direct daylight on the entrance lens factor, we noticed solely a really slight discount in distinction and no noticeable ghosting in any respect.

Sunstars look respectable, although the 50mm focal size wouldn’t be our go-to selection for producing sunstars. The 9-bladed aperture offers you 18-pointed sunstars, however as you may see, the rays differ considerably in size and definition.

ISO 320 | 1/100 sec | F16 | Fujifilm X-T4 | Captured utilizing a pre-production however near-optically last lens.
Picture by Carey Rose

Longitudinal chromatic aberration (fringing)

Extensive-aperture lenses are usually extra vulnerable to chromatic aberration, and the Fuji 50mm F1.0 does not buck this development, sadly. Longitudinal chromatic aberration or LoCA might be fairly noticeable, even in case you cease all the way down to F1.4 or F2.0, giving foreground areas a definite pink colour forged, together with a inexperienced forged to background parts. That is a disgrace, as LoCA can show very troublesome to right for in post-processing.

Unpleasant pink/inexperienced LoCA colour casts are clearly seen within the mesh space at left of this picture. Stopping all the way down to F2 mitigates the difficulty, however it’s nonetheless seen.
ISO 160 | 1/8000 sec | F1 | Fujifilm X-T4
Picture by Chris Niccolls

Again to prime


Conclusion

What we like What we do not
  • Balances properly with bigger X-mount our bodies
  • Really luscious bokeh
  • Very flat aircraft of focus
  • Wonderful flare and ghosting resistance
  • No focus respiration
  • Complete weather-sealing
  • Strong construct and good controls
  • Very efficient lens hood within the product bundle
  • Not very sharp till F2.8 or narrower
  • LoCA colour casts at F2.0 or wider
  • Cat’s eye might be a difficulty at apertures wider than F2.0
  • Sluggish autofocus and occasional AF looking
  • Low most magnification
  • No in-lens stabilization
  • Pretty large and hulking
  • Fairly costly

As we famous on the outset, the Fuji XF 50mm F1.0 R WR is one thing of a distinct segment product. With its extraordinarily huge F1.0 most aperture, it is clearly aimed toward portrait shooters and people for whom a shallow depth of subject is the overriding concern.

With that being the case – although it does have some shortcomings within the picture high quality division, together with some noticeable softness when capturing wider than F2.8 – many photographers will fortunately overlook that within the quest for its attractive bokeh.

ISO 160 | 1/60 sec | F1 | Fujifilm X-T4
Picture by Chris Niccolls

If something ought to show a priority on the IQ entrance, it must be this lens’ tendency to exhibit longitudinal chromatic aberration, which reveals up as saturated magenta and inexperienced fringing in entrance of and behind the aircraft of focus, respectively, and is one thing that may show troublesome to repair within the digital darkroom.

One other concern is its sluggish autofocus drive. Should you’re utilizing it within the studio, for extra static topics or you may plan your pictures such that you just solely want tweak focus manually, it should not be a priority. However for more difficult topics, candid portraiture and in decrease gentle you are inevitably going to overlook some pictures, and anybody all for capturing motion making an attempt their hand at sports activities capturing ought to look elsewhere.

ISO 160 | 1/800 sec | F2.8 | Fujifilm X-T4
Picture by Chris Niccolls

There’s additionally no escaping the truth that by X-mount prime lens requirements, this can be a fairly giant and hefty lens, and likewise one with a reasonably steep pricetag. Should you’re capturing with a smaller physique and may stay with distinction detect-only AF, it’s best to positively contemplate the 56mm F1.2 APD lens as a substitute. And if price is your main concern, the usual 56mm F1.2 is a way more inexpensive various that is virtually as shiny, and but presents sharper imagery at its wider apertures in addition to noticeably much less longitudinal chromatic aberration (which can be true of the APD model).

However in order for you the least distracting backgrounds to your portraits and may stay with its price, bulk and pricetag, it is onerous to argue towards the XF 50mm F1.0 and its completely attractive bokeh.

Scoring

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DPReview TV evaluation

See what our workforce at DPReview TV has to say concerning the Fujifilm XF 50mm F1.0 R WR.

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Pattern galleries

Please don’t reproduce any of those pictures with out prior permission (see our copyright web page).

Fujifilm X-T4

Fuji X-T4 with pre-production lens

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