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Fujifilm GFX 50S II Evaluate



Introduction

The GFX 50S II is the fifth medium-format mirrorless digicam that Fujifilm have launched in the previous few years, and is by far essentially the most inexpensive, making medium-format accessible to a a lot wider viewers.

As its title suggests, it has a 50 megapixel picture sensor which bodily measures 43.8×32.9mm, a lot bigger than the 36x24mm sensor present in a 35mm full-frame digicam – roughly 1.7x bigger in truth.

The Fuji 50S II really makes use of precisely the identical sensor because the older 50 megapixel 50S and 50R fashions, regardless of costing considerably lower than each at launch.

This can be a again illuminated CMOS sensor with the identical contrast-detect sort autofocus system because the 50S and 50R, with no phase-detection AF sensors embedded within the sensor as on the 100 megapixel GFX 100 and 100S cameras.

Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.

The native ISO vary runs from ISO 100 to ISO 12,800, which is expandable to 50-102,400.

The GFX50S II does use the newest, strongest X-Processor 4 picture processor, although, a characteristic that’s shared with the 100 megapixel fashions, which permits the brand new model to supply a whopping 79 upgraded features when in comparison with the unique 50S mannequin.

Similar to the GFX 100 and 100S, the 50S II options in-body picture stabilization (IBIS), however this time the five-axis picture stabilisation system offers a good higher compensation ranking of as much as 6.5 stops.

The Fuji 50S II provides 1080p video recording with a body price of 30fps, a limitation of the sensor that it makes use of, quite than the 4K 30p video recording discovered on the GFX 100/S.

The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of creating the Mark II model lighter, smaller and crucially cheaper (because it’s less complicated to fabricate).

Different key specs embody a weather-resistant magnesium alloy physique, 3.69M-dot OLED digital viewfinder with 100% protection and a magnification of 0.77x, 2.36 million dot tilting 3.2-inch LCD show, Face and Eye Detection AF, 3fps steady taking pictures speeds, and twin UHS-II SD reminiscence card slots.

The 50S II additionally provides shutter speeds from 60 minutes to 1/4000th sec utilizing the mechanical focal aircraft shutter or as much as 1/16000 sec by way of the digital shutter, interval taking pictures and a number of publicity modes, built-in Wi-Fi and Bluetooth connectivity, and a USB-C port.

The Fujifilm GFX 50S II is out there now priced at £3499 / $3999 physique solely or £3999 / $4499 with the brand new GF 35-70mm equipment lens, within the UK and USA respectively, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A7R IV 35mm full-frame mirrorless cameras.

Ease of Use




Fujifilm GFX 50S II

Externally the brand new GFX 50S II is an identical to final yr’s GFX 100S digicam, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and prime LCD panel, and the identical rear LCD display screen, digital viewfinder and AF joystick on the rear.

The GFX 50S II can also be taking over the 35mm full-frame market by being equally sized to some DSLR and mirrorless fashions, regardless of having a bigger, medium format sensor – and have we already talked about that it’s totally equally priced to flagship full-frame fashions from Canon, Sony, Nikon and Panasonic, even with a lens included?

Regardless of having a medium format sensor, it is clear that Fujifilm believes the GFX 50S II primary rivals are 35mm sensor cameras, not the “conventional” medium-format market that primarily serves studio photographers.

With this new mannequin, Fujifilm have aggressively diminished the dimensions and the worth of the GFX 50S II to tackle the likes of the Sony Alpha A7R IV, Canon EOS R5, Nikon Z7 II and Panasonic Lumix S1R, to not point out DSLRs just like the Canon EOS 5D IV and Nikon D850.

Fujifilm does not have a 35mm digicam vary – as an alternative it has the extremely popular APS-C X-series and the comparatively new GFX medium-format collection.




Fujifilm GFX 50S II

So it is attacking the favored full-frame market from two angles – smaller, lighter and cheaper cameras just like the X-T4, and now a medium-format digicam that’s related in dimension, weight and even price to the newest flagship 35mm fashions.

We’ve not even talked about the GFX 50S II’ medium format rivals, which except the now ageing Pentax 645Z are invariably bigger and far, way more costly than this digicam.

As ever with cameras, there is no one mannequin that does all of it, although, so do not anticipate the GFX 50S II to rival smaller-sensor cameras for issues like burst taking pictures speeds, video and auto-focus efficiency.

It’s nonetheless very a lot a medium-format digicam in theses areas, which is particularly true with the 50S II as a result of it continues to make use of the now ageing 50 megapixel sensor that made its debut in 2017’s 50S digicam.

The Fuji 50S II weighs 900g and measures 150×104.2×87.2mm, making it barely greater and heavier than the unique 50S, which weighed in at 740g and measured 148x94x91mm, though the figures for the GFX 50S are with out the detachable EVF being fitted, and crucially it does not have IBIS both, in contrast to the 50S II.




Fujifilm GFX 50S II

Similar to the GFX 100S, Fujifilm aren’t releasing an elective battery grip for the GFX 50S II – it does not even have {the electrical} contacts on the underside of the digicam physique – so there might be no Third-party choices accessible both.

As an alternative there’s a metallic hand grip accent known as the MHG-GFXS that enhances the in-hand really feel of the digicam, considerably satirically by making it greater.

So in case you’re a fan of both becoming an elective battery grip to your digicam for higher battery life and improved ergonomics when taking pictures in portrait mode, sadly the GFX 50S II will not meet your wants, and you will want to contemplate the older 50S or 50R fashions as an alternative.

So Fuji’s engineers have included an in-body 5-axis stabilisation unit for the primary time in a 50 megapixel mannequin, one which’s really much more efficient than the unit contained in the GFX 100S.

The GFX 100 provides 5.5 stops of compensation, the GFX 100S provides 6 stops of compensation, and the GFX 50S II provides a class-leading 6.5 stops of compensation, due to a barely redesigned IBIS unit.




Fujifilm GFX 50S II

That is the third GFX and third ever medium format digicam to characteristic in-body picture stabilization. The Fuji GFX 50S II makes use of a well-known 5-axis system which offers as much as 6.5 stops of picture stabilization (when utilizing the GF 63mm F2.8 R WR lens).

The primary two 50 megapixel GFX cameras did not have IBIS built-in, as an alternative counting on the lens to offer it, which not all GFX lenses do. With the GFX 50S II, any lens that you simply connect to it should robotically profit from as much as 6.5 stops of compensation. Moreover, the identical system is used to assist suppress shutter shock, which given the decision on provide is a really welcome profit.

Pixel Shift is a particular Multi-Shot perform that makes use of the IBIS unit to allow the GFX 50S II to create 205 megapixel photos. The digicam’s IBIS unit is used to shift the picture sensor by as much as a pixel in numerous instructions throughout a sequence of 16 pictures, which might then be robotically mix right into a single picture utilizing Fuji’s Pixel Shift Combiner software program.

Fuji additionally redesigned the focal aircraft shutter unit with a view to cut back the dimensions of the 50S II, nevertheless it nonetheless provides the identical quickest shutter velocity of 1/4000th second and the longest publicity time of 60 minutes. There’s additionally an digital shutter which offers a good sooner shutter velocity of as much as 1/16000 sec, which is helpful for taking pictures in vivid circumstances at wide-open apertures, for instance.

The third main design choice that has helped to make the GFX 50S II so small, along with the brand new IBIS and shutter models, is the adoption of a smaller battery.




Fujifilm GFX 50S II

The Fujifilm GFX 50S II makes use of precisely the identical NP-W235 battery because the X-T4 APS-C sensor digicam and the GFX 100S, quite than the bodily bigger TP-125 battery utilized by the GFX 100 and the GFX 50S, and it is included into the underside of the handgrip, once more permitting the designers to make the 50S II smaller.

The NP-W235 provides a CIPA-rated battery lifetime of as much as 455 pictures on a single cost in regular mode, versus 400 pictures for the TP-125, so it really out-performs the larger battery.

The Fuji GFX 50S II is a really well-built digicam, as you’d in all probability anticipate for £3.5K, with completely no flex or motion in its chassis due to a die-cast magnesium alloy physique and machined management dials.

It is also dust-resistant, water resistant and freeze-resistant all the way down to -10°C, making this a medium format digicam that can be utilized outdoors in addition to indoors, additional rising its versatility.

By way of its ergonomics and management format, the 50S II is one of the best realised GFX mannequin but, and the one which we have most loved utilizing, primarily as a result of it handles similar to a premium full-frame DSLR or mirrorless digicam.




Fujifilm GFX 50S II

The entrance of the Fujifilm GFX 50S II is adorned with the white Fujifilm emblem positioned above the lens. To the left of the lens mount, if viewing the digicam front-on, is a small black button that may be customised, which by default accesses the Efficiency Enhance features. On the bottom-left of the lens is a round button for releasing the lens.

Due to the adoption of the NP-W235 battery and its placement, the 50S II has a really giant grip that I might comfortably match even my pinky finger round while working the shutter button together with your forefinger and gripping the again of the digicam together with your thumb, which makes it exceptionally simple to carry for prolonged quantities of time. Even quick intervals of one-handed use are doable – what number of medium format cameras are you able to say that about?

Similar to they lately did with the X-S10 APS-C digicam, Fujifilm have made the very-unlike-Fuji choice to considerably simplify the design of the GFX 50S II by not together with the standard shutter velocity and ISO velocity dials that adorn most of its cameras.

As an alternative, there is a conventional taking pictures mode dial on the left, full with a minimum of 6 (!) Customized mode settings and the standard PASM modes, and a big, monochrome top-panel LCD display screen on the suitable, a mix that is similar to the one on the GFX 100S.

In entrance of the taking pictures mode dial is the model new taking pictures mode change, which toggles between Film and Nonetheless. This can be a welcome simplification of the best way by which you selected these modes on earlier GFX cameras, though you do lose top-panel entry to the Drive modes, which at the moment are as an alternative accessed by the brand new Drive button on the rear of the digicam.




Fujifilm GFX 50S II

The 1.8″ top-panel LCD display screen cleverly replaces the standard bodily ISO and Shutter velocity dials by displaying three “digital” controls as an alternative, with ISO on the left, shutter velocity on the suitable and publicity compensation on the underside.

Relying upon which taking pictures mode you are in, as you utilize the entrance and rear management dials to alter these settings, the digital show is up to date in real-time.

It may also be toggled utilizing the small unmarked button to the bottom-right of the highest LCD display screen to alternatively show both a histogram or the Fuji GFX 50S II’s present key settings, together with the shutter velocity, aperture, publicity compensation, sensitivity, taking pictures mode, white steadiness and movie simulation mode.

It isn’t fairly as handy as having precise dials, however is a intelligent thought nonetheless, particularly as when set to the important thing settings mode, the LCD display screen stays on when the digicam is turned off, which acts as a fast reminder of your final used settings even earlier than you flip the digicam again on.

There’s additionally no useful publicity compensation dial, nonetheless, as an alternative changed by a tiny devoted button on prime of the digicam subsequent to the shutter button that is quite awkwardly used along with the rear management dial.




Fujifilm GFX 50S II

Finishing the highest of the digicam is a small button for illuminating the highest LCD panel, an unmarked, re-configurable Operate button that by default toggles Face Detection on and off, and an On/Off change that surrounds the shutter launch button – this is not threaded for a standard shutter launch cable, although, as on some X-series cameras.

The Fujifilm GFX 50R is provided with a 43.8×32.9mm CMOS sensor with a decision of 51.4 megapixels and no optical low move filter that delivers 8256×6192 pixel nonetheless photos.

The sensor is actually the identical because the one discovered within the Fujifilm GFX 50S, 50R and Hasselblad X1D cameras.

This chip has an imaging space that is 1.7x larger than that of a 35mm “full-frame” sensor, and over 3.7 instances bigger than the APS-C sized sensors utilized in Fujifilm’s X-series cameras.

Not like these cameras, although, the Fujifilm GFX 50R has a standard Bayer color filter array in entrance of the sensor. The pixel depend is not actually larger than that of the highest-resolution 35mm full-frame DSLRs – the Canon EOS 5DS and 5DS R – however the pixel pitch is larger, promising a wider dynamic vary and a greater signal-to-noise ratio.




Fujifilm GFX 50S II

The Fujifilm GFX 50S II has the identical contrast-detect sort autofocus system as the unique 50S, with no phase-detection AF sensors embedded within the sensor as on the GFX 100/100S cameras, so if auto-focus velocity is paramount then one of many GFX 100 fashions is the best choice.

Having mentioned that, Fujifilm have added a brand new Fast AF choice to the Mark II 50S, which quickens the contrast-based focusing and likewise makes it extra correct through the use of the brand new IBIS unit to manage sensor movement blur.

Additionally, the newest X-Processor 4 contained in the 50SII advantages from having the newest algorithm that improves the AF’s refresh price, leading to extra correct autofocus in Face / Eye Detection in comparison with the earlier mannequin.

Relying on the lighting circumstances, the GFX 50S II is quicker than the unique 50S mannequin however nonetheless slightly on the sluggish facet to auto-focus, taking about 1/3 second to lock onto the topic and likewise susceptible to looking in low-light environments.

The AF level could be set to certainly one of six completely different sizes by way of the rear management dial to realize extra exact focusing, and you may also merely faucet on the touchscreen to set the AF level. If you need much more management, you’ll be able to choose the 425 factors choice which splits the identical space of the body right into a 17×25 grid of smaller AF factors.




Fujifilm GFX 50S II

The Fuji GFX 50S II additionally provides Zone and Vast/Monitoring modes which utilise the bigger 425-point space to seize shifting topics.

In Zone mode, you’ll be able to choose a 3×3, 5×5 or 7×7 zone out of the 425-point AF space. Throughout AF-C focus, the digicam regularly tracks the topic, positioning it on the centre of the zone.

The Vast/Monitoring mode combines the Vast mode (throughout AF-S), by which the GFX 50S II robotically identifies and tracks the world in focus throughout the 425 level AF space, and the predictive Monitoring mode (throughout AF-C), which makes use of all the 425-point space to proceed monitoring the topic. This characteristic permits steady specializing in a topic that’s shifting up and down, left and proper or in direction of and away from the digicam.

Guide focus can also be offered, and excellent it’s too. As you’d anticipate, the guide focus rings on all of the GFX lenses have a stunning really feel, and two completely different focusing aids are offered – auto magnification and focus peaking. Along side the high-resolution digital viewfinder, we discovered it simple to precisely decide vital sharpness.

The GFX 50S II provides a steady taking pictures price of 3fps, the identical price because the 50S, however the buffer depth is far larger – for limitless JPEGs or 31 compressed Uncooked recordsdata in case you use a UHS-II SDXC card and the digital shutter, making it one of many sooner medium format cameras available on the market. If you happen to choose to make use of the mechanical shutter, the speed drops to 2.2fps for limitless JPEGs or compressed Raws.




Fujifilm GFX 50S II

The GFX 50S II provides precisely the identical fundamental video mode because the 50S and 50R, supporting both Full HD (1920×1080 pixels) or 720p recording at 29.97, 25, 24, and 23.98 fps within the H.264 compressed MP4 format. There is not any 4K recording on this digicam – you will must step as much as the 100 megapixel GFX 100/100S fashions for that characteristic.

The Mark II does provide an improved most recording time of two hours, although, versus half-hour on the unique mannequin.

There are each 3.5mm Mic and three.5mm Headphone ports on the left-hand flank of the digicam when seen from the rear, with USB-C, HDMI and an X-Sync flash socket beneath them.

The GFX 50S II could be powered and charged by way of the USB-C connection, which is helpful in case you’re out and about and have a suitable powerbank to plug the digicam into.

Two reminiscence card slots are situated on the right-hand flank of the digicam when seen from the rear. The GFX 50S II provides compatibility with Extremely Excessive Pace UHS-II SDXC reminiscence playing cards, which has the primary profit of accelerating the information writing velocity in steady mode to about twice that of a traditional UHS-1 card.

Additionally situated on the suitable of the digicam physique is the Distant socket, hidden below it is personal flap.




Fujifilm GFX 50S II

The Fuji GFX 50S II options each built-in wi-fi and Bluetooth connectivity. The latter choice creates a relentless, low-power connection between the digicam and a smartphone/pill to switch photos and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous means that you can remotely management the GFX 50S II by way of a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photos and video from one gadget to the opposite.

With its focal-plane mechanical shutter, the Fujifilm GFX 50S II has a prime shutter-speed restrict of 1/4000th second in all taking pictures modes. This lets you choose a sooner aperture even in vivid circumstances or when taking pictures with flash in the course of the day, though there is no built-in ND filter.

The GFX 50S II additionally has an digital shutter along with the mechanical one, which offers a a lot sooner prime shutter velocity of 1/16,000th second. This lets you proceed taking pictures wide-open with quick aperture lenses within the brightest of circumstances with out having to resort to becoming a glass ND filter or utilizing exterior flash and lights.

There are some essential caveats with the digital shutter – the ISO vary is restricted to 100-12800 and you may’t use an exterior flashgun, however general it is an important characteristic that makes the GFX 50S II extra versatile.

Reasonably than a standard optical viewfinder, the Fuji GFX 50S II employs the identical 3.69M-dot OLED digital viewfinder that the GFX 100S makes use of, which is 0.5 inch in dimension with 100% scene protection and 0.77x magnification.




Fujifilm GFX 50S II

Not like the unique GFX 50, this digital viewfinder is mounted in place and never detachable. The EVF can really be fully faraway from the primary digicam physique on the 50S mannequin, whereas it is mounted in place on the brand new GFX 50S II. It provides the identical 3.69M-dot decision however has larger 0.85x magnification.

The elective EVF-TL1 tilt and swivel adapter may also be used with the 50S’ viewfinder to alter the angle of the viewfinder to a most angle of 90° when taking pictures horizontal landscapes and ±45° when taking pictures within the portrait place.

So the viewfinder on the 50S is extra versatile and higher-resolution than the one on the newer mannequin, at the price of nice complexity and an accompanying improve in value.

The scale of the rear LCD display screen is 3.2-inches and the decision is a powerful 2.36m-dots, precisely the identical because the display screen on the GFX 50S and 100/S. It may also be usefully tilted up and down by about 90 levels when in panorama mode and upward when taking pictures in portrait mode by way of a easy press of a button on the facet.

The Fujifilm GFX 50S II has an intuitive touchscreen interface, permitting you to both transfer the AF level or concurrently transfer the AF level and give attention to the topic.




Fujifilm GFX 50S II

On the right-hand facet of the display screen is a small icon which in case you press it means that you can select between utilizing the display screen to set the AF level, or to have it focus as properly. If you happen to choose, you’ll be able to flip off this performance altogether, however it’s faster than utilizing the joystick to set the AF level.

One disadvantage to leaving the touchscreen AF on is that we stored inadvertently shifting the AF level when altering lenses or utilizing the EVF. In picture playback, you’ll be able to merely drag left and proper to undergo the sequence of photos and pinch/double-tap to zoom out and in, though you continue to cannot use the primary menu system by way of the touchscreen.

Not like the GFX 100 with its quite unfamiliar design, the rear panel of the 50S II will really feel extra welcoming to anybody who has ever dealt with a Fujifilm X-series digicam earlier than.

There’s the aforementioned Drive button and a Delete button situated to the left of the EVF and an AF Mode dial (S/C/M) on the suitable, with a small AF On button for back-button focusing and the rear management dial alongside that.




Fujifilm GFX 50S II

The tiny Fast Menu button is about into the rear thumb relaxation. This offers fast entry to plenty of steadily used taking pictures settings together with the ISO velocity, White Stability, File Measurement and File High quality, with both the main focus joystick, entrance management dial or the touchscreen used to shortly change between them.

As an alternative of a standard 4-way controller with a centred Menu/OK button, the Fujifilm GFX 50S II has a vertical column of buttons, beginning with the brand new, tactile 8-way joystick which is primarily used for setting the AF level after which the AE-Lock button.

Beneath these controls within the Menu/OK button which accesses the seven completely different Capturing and Set-up menus, the Disp/Again button which is used for altering the LCD show or going again, and at last the Playback button.

The bottom of the digicam includes a screw tripod thread that is inline with the centre of the lens mount and the battery compartment.

Picture High quality

All the pattern photos on this evaluation had been taken utilizing the 51.2 megapixel SuperFine JPEG setting, which provides a mean picture dimension of round 25Mb.

The Fujifilm GFX 50S II produced photos of excellent high quality in the course of the evaluation interval.

This digicam produces noise-free photos at ISO 50 as much as ISO 3200, with some noise showing at ISO 6400. The sooner settings of ISO 12800 and 25600 are nonetheless usable, though we would counsel avoiding ISO 51200 and better if doable.

The RAW recordsdata had been additionally glorious, exhibiting extra noise however nonetheless producing very usable photos from ISO 50-12800.

The night time {photograph} was excellent, with the utmost shutter velocity of 60 minutes permitting you to seize sufficient mild in nearly all conditions. The Dynamic Vary settings subtly enhance element within the shadows and highlights, whereas the Movie Simulation modes hark again to a bygone period.

Noise

There are 12 ISO settings accessible on the Fujifilm GFX 50S II. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked recordsdata.

JPEG RAW

ISO 50

ISO 50

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ISO 100

ISO 100

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ISO 200

ISO 200

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ISO 400

ISO 400

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ISO 800

ISO 800

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ISO 1600

ISO 1600

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ISO 3200

ISO 3200

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ISO 6400

ISO 6400

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ISO 12800

ISO 12800

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ISO 25600

ISO 25600

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ISO 51200

ISO 51200

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ISO 102400

ISO 102400

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File High quality

The Fujifilm GFX 50S II has 3 completely different JPEG file high quality settings accessible, with SuperFine being the best high quality choice, and it additionally helps Uncooked. Listed below are some 100% crops which present the standard of the varied choices, with the file dimension proven in brackets.

SuperFine (26.5Mb) (100% Crop)

Nice (15.1Mb) (100% Crop)

quality_superfine.jpg quality_fine.jpg

Regular (9.12Mb) (100% Crop)

Uncooked (111Mb) (100% Crop)

quality_normal.jpg quality_raw.jpg

Lengthy Exposures

The Fujifilm GFX 50S II’ most shutter velocity is 60 minutes within the Bulb mode, which is nice information in case you’re severely fascinated with night time pictures. The shot beneath was taken utilizing a shutter velocity of 30 seconds at ISO 100.

night.jpg

Dynamic Vary

The Fujifilm GFX 50S II has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digicam take management.

These settings steadily improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Notice which you could’t really flip this characteristic off.

Movie Simulations

The Fujifilm GFX 50S II provides 19 completely different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous, together with the comparatively new Nostalgic Detrimental Movie Simulation, which is characterised by excessive saturation and delicate tonality and mentioned to be paying homage to American New Color Images which emerged within the Seventies.

Pixel Shift

Pixel Shift is a particular Multi-Shot perform that can be utilized to create 205 megapixel photos!

The digicam’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in numerous instructions in the course of the sequence of 16 pictures.

You then must obtain the brand new Pixel Shift Combiner software program from Fujifilm.com, manually choose the 16 recordsdata that make up every Pixel Shift shot, and the software program will then robotically mix them right into a single DNG file.

A number of Publicity

The Fujifilm GFX 50S II’s A number of Publicity drive mode means that you can take two consecutive photographs and mix them into one.

multiple_exposure.jpg

Pattern Photographs

This can be a number of pattern photos from the Fujifilm GFX 50S II digicam, which had been all taken utilizing the 51.4 megapixel Superfine JPEG setting. The thumbnails beneath hyperlink to the full-sized variations, which haven’t been altered in any method.

Pattern RAW Photographs

The Fujifilm GFX 50S II permits customers to seize RAW and JPEG format recordsdata. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photos proven beneath are usually not 100% consultant).

Pattern Film & Video

This can be a pattern film on the high quality setting of 1920×1080 pixels at 30 frames per second. Please word that this 15 second film is 100Mb in dimension.

Product Photographs

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Conclusion

When the 100 megapixel GFX 100S was launched in 2019, we mentioned that medium-format pictures had by no means been fairly so compact, moveable, easy-to-use or versatile.

That assertion is simply as true with the introduction of the 50S II, with one essential caveat – you now want so as to add “inexpensive” to that record of superlatives.

By cunningly bringing collectively the confirmed 50 megapixel sensor from the 50S/R fashions with the identical physique and design because the 100S, Fujifilm have managed to create a comparatively tiny medium-format digicam that prices the identical as a high-end 35mm full-frame mannequin, one thing that is by no means been performed earlier than.

The brand new GFX 50S II is equally sized to some 35mm DSLR and mirrorless flagships from different manufacturers, but it nonetheless squeezes in a 1.7x bigger sensor and an IBIS unit into its comparatively svelte dimensions.

Certain, the GF lenses are bigger and heavier than their 35mm counterparts, which in flip makes the general GFX system heavier than full-frame, however the truth that we’re even evaluating the 2 methods on this regard in any respect is fairly exceptional.

The 50mp sensor is getting barely lengthy within the tooth from a focusing and video standpoint, and steady taking pictures is nothing to write down house about, however on the flip-side it continues to ship the confirmed Fuji picture high quality that we have come to like, whether or not that is taking pictures JPEGs or Uncooked.

That is really a medium format digicam that’s equally at house within the studio or out within the area, due to its amazingly compact design, huge decision, very efficient stabilisation system, and full weather-proofing.

And because of its frankly astonishing price ticket, medium format has by no means been fairly so tempting financially both – at £$2000 lower than the unique GFX 50S price on launch 4 years in the past, it is clear that Fujifilm are going all out to tempt full-framers to make the leap as much as medium-format.

For a lot of photographers who do not want the eye-wateringly quick burst taking pictures charges, advanced AF methods or cutting-edge video specs of cameras just like the Sony A1 and Canon EOS R5, and as an alternative prioritise picture high quality over out-and-out velocity, the brand new Fujifilm GFX 50S II will in some ways be a greater match, with out having to pay the premium that stepping as much as medium format has historically demanded.

5 stars

Scores (out of 5)
Design 5
Options 4
Ease-of-use 4.5
Picture high quality 5
Worth for cash 5

Predominant Rivals

Listed beneath are among the rivals of the Fujifilm GFX 50S II.

The EOS R5 has been the most well liked full-frame digicam on the block ever since Canon pre-announced it again firstly of 2020, due to its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it just a few instances since then, however now we are able to lastly deliver you our ultimate Canon R5 evaluation, full with full-size pattern photographs and movies!

The brand new 100-megapixel medium-format Fuji GFX 100S is smaller, lighter and extra versatile than the flagship GFX 100, and crucially, considerably cheaper too. A lot in order that it steps on the toes of high-end 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z7 II. Does the GFX 100S actually show that medium-format is “Greater than full-frame”, and is it actually higher than the GFX 100? Discover out now by studying our in-depth evaluation, full with an enormous gallery of full-size pattern photos and movies…

The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless digicam with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, digital viewfinder, ISO vary of 50-102400, twin reminiscence card slots and 3fps steady taking pictures. Oh, and it solely prices £3999 / $4499, making it the most affordable medium format digicam available on the market. Learn our detailed Fujifilm GFX 50R evaluation now…

The Fujifilm GFX 50S is a brand new medium-format mirrorless digicam, providing a 50 megapixel sensor, a 3.2-inch tilting touchscreen LCD and a detachable digital viewfinder in a physique that is no greater than a 35mm full-frame DSLR. Learn our in-depth Fujifilm GFX 50S evaluation now…

The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digicam with a 51 megapixel sensor, giant 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a superbly crafted physique. Learn our in-depth Hasselblad X1D II 50c evaluation now…

The Leica SL2-S is an impeccably constructed full-frame mirrorless digicam, providing a 24.6 megapixel BSI sensor, DCI 4K/60p video recording, 25fps burst taking pictures, a class-leading EVF, IBIS price 5.5 stops, ISO 100,000 and twin UHS-II SD reminiscence card slots. Learn our in-depth Leica SL2S evaluation to seek out out what this £3,975 / $4,895 digicam is able to…

The Nikon Z7 II full-frame mirrorless digicam is the 2020 replace of the unique Z7 mannequin, principally enhancing the autofocusing, buffer and video and including a second reminiscence card slot. Are these adjustments sufficient for it to compete with its primary rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II evaluation, full with full dimension pattern photographs and movies…

Panasonic have loved a number of success with their Micro 4 Thirds digicam vary, and now they’ve turned their consideration to the full-frame market with the discharge of the thrilling new Lumix S1R. This can be a 47 megapixel full-frame mirrorless digicam with 187 megapixel excessive decision mode, class main digital viewfinder, 6-stop IBIS, and a sturdy weatherproof physique. Learn our in-depth Panasonic S1R evaluation now to seek out out extra about this spectacular digicam…

The Sony Alpha 1 digicam, or Sony A1 for brief, is one of the best digicam that Sony have ever launched, and presently one of the best all-round digicam available on the market. It is also some of the costly, so learn our in-depth Sony A1 evaluation full with full-size pattern JPEG and Uncooked photographs and films to seek out out if it is really the One for you…

Historically, you’d should make a tricky alternative between decision and velocity on the subject of high-end cameras, however with the brand new flagship A7R IV mirrorless mannequin, Sony are trying to supply one of the best of each worlds. Can it actually succeed as a digicam that fits every kind of photographers? Learn our in-depth Sony A7R IV evaluation to seek out out…

Evaluate Roundup

Opinions of the Fujifilm GFX 50S II from across the internet.

In nearly each respect, the 50S II is a lower-res model of the GFX 100S, sharing extra with its excessive pixel-count sibling than it does with the unique GFX 50S. The means it advantages from all of the refinements Fujifilm has launched within the 5 years because the first GFX 50S was launched but additionally sees some options pared again.

Learn the complete evaluation »

Fujifilm’s improve to its comparatively inexpensive 50MP GFX digicam doesn’t look very spectacular on paper – no 4K video, solely 3fps steady taking pictures velocity – however some important adjustments each in and out have made this the primary 50MP stabilized shooter from Fujifilm, with the most affordable price ticket for a medium format digicam. Together with its impeccable picture high quality, it’s simple to fall in love with this digicam. Nevertheless, its comparatively sluggish autofocus (as in comparison with different mirrorless cameras), meager 3fps burst price and lack of 4K video might deter some customers.

Learn the complete evaluation »

It’s simply 5 years since Fujifilm revolutionised medium format digital with the launch of its GFX 50S. This digicam offered 51.4MP decision and mirrorless structure for £6,200 body-only, which was a ground-breaking value on the time. Since then, the GFX system has gone from power to power, with the GFX100S that appeared earlier this yr providing 102MP for £5,500, in physique that’s related in dimension to a full-frame DSLR. Now with the GFX50S II, Fujifilm has introduced the worth of entry even decrease, to only £3500 body-only, or £3900 with the brand new matched GF 35-70mm F4.5-5.6 WR equipment zoom.

Learn the complete evaluation »

Specs

Mannequin title FUJIFILM GFX50S II
Lens Mount FUJIFILM G mount
Picture sensor 43.8mm×32.9mm Bayer array with main colour filter
Variety of efficient pixels 51.4 million pixels
Sensor Cleansing System Extremely Sonic Vibration
Picture Processing Engine X-Processor 4
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Pace Class V90*1
File format of nonetheless picture DCF Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG Exif Ver.2.32*2
RAW 14bit RAW (RAF authentic format)
TIFF 8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels [L]〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192
〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192
[S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992
〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
Sensitivity Nonetheless Picture Commonplace Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Prolonged Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Film Commonplace Output: AUTO / ISO200~6400 (1/3 step)
Publicity management TTL 256-zone metering / Multi / Spot / Common / Middle Weighted
Publicity mode P (Program AE) / A (Aperture Precedence AE) / S (Shutter Pace Precedence AE) / M (Guide Publicity)
Publicity compensation Nonetheless -5.0EV~+5.0EV 1/3EV step
Film -2.0EV~+2.0EV 1/3EV step
Picture stabilizer Mechanism Picture sensor shift mechanism with 5-axis compensation
Compensation Impact 6.5 stops
*based mostly on CIPA normal
*Pitch/yaw shake solely
*With GF63mmF2.8 R WR lens mounted
Digital Picture Stabilization Sure (film mode solely)
IS MODE BOOST Sure (film mode solely)
Shutter sort Focal Airplane Shutter
Shutter velocity Mechanical shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
Digital shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.
*The Digital Shutter will not be appropriate for fast-moving objects or handheld taking pictures. Flash cannot be used.
Mechanical + Digital shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.
*The Digital Shutter will not be appropriate for fast-moving objects or handheld taking pictures. Flash cannot be used.
Digital Entrance Curtain Shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/500sec.
Digital Entrance Curtain Shutter + Digital Shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/500sec, Mechanical shutter works till 1/4000sec.
*The Digital Shutter will not be appropriate for fast-moving objects or handheld taking pictures. Flash cannot be used.
Film FHD: 1/4000sec. to 1/24 sec.
*Can not select slower shutter velocity than framerate.
Synchronized shutter velocity for flash 1/125sec. or slower
Steady taking pictures CH Digital Entrance Curtain Shutter Approx. 2.2fps (JPEG: Limitless, Compressed RAW: Limitless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames)
CH Approx. 3.0fps (JPEG: Limitless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames)
*Recordable frames relies on recording media.
*Pace of steady taking pictures relies on taking pictures surroundings and taking pictures frames.
Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing Any 3 kinds of movie simulation selectable
Dynamic Vary Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Stability Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
A number of Publicity Sure (Max. 9 frames) / Additive / Common / Vivid / Darkish
Pixel Shift Multi Shot Sure
Focus Mode Single AF / Steady AF / MF
Kind TTL Distinction AF
Low-light Efficiency Distinction: -3.5EV *Low mild precedence AF-S ON / GF80mmF1.7 connected
AF body choice Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)
Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
Vast/Monitoring AF: Sure (AF-S: Vast / AF-C: Monitoring)
All: Sure
Face/eye detection Sure
Flash Sync. Mode 1st Curtain / 2nd Curtain / AUTO FP (HSS)
When SHOE MOUNT FLASH is about
TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Sizzling shoe Sure (Devoted TTL Flash suitable)
Viewfinder EVF: 0.5 inch OLED Colour Viewfinder, Approx. 3.69 million dots
Protection of Viewing Space vs. Capturing Space: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear Finish of the Digital camera’s Eyepiece)
Diopter Adjustment: -4~+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )
Constructed-In Eye Sensor
LCD monitor 3.2 inch Tilt-Kind(Three Path) Contact Display Colour LCD Monitor
Facet Ratio: 4:3
Dots: Approx. 2.36 million dots
Contact Display Mode Capturing Mode AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Operate Setting (ON/OFF), EVF Contact Display Space Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor 1.80 inch Monochrome LCD Monitor
Facet Ratio: 4:3
Dots: 303×230-dot
Film recording File format MOV:
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Film compression Lengthy GOP
File dimension

Body price
Bitrate

Recording time
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps As much as 120min.
*For recording films, use a SD reminiscence card with UHS Pace Class 1 or larger.
*Recording time can change into quick relying on the temperature and/or taking pictures circumstances.
Movie simulation mode 19 modes (PROVIA/Commonplace, Velvia/Vivid, ASTIA/Tender, Traditional Chrome, PRO Neg.Hello, PRO Neg.Std, Traditional Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS
ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Colour Sure
Grain Impact Roughness: STRONG, WEAK, OFF
Measurement: LARGE, SMALL
Colour Chrome Impact STRONG, WEAK, OFF
Colour chrome Blue STRONG, WEAK, OFF
Easy Pores and skin Impact STRONG, WEAK, OFF
Dynamic vary setting Nonetheless AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No restrict, DR200%: ISO200 or extra, DR400%: ISO400 or extra
Film 100% / 200% / 400%
ISO restriction: DR100%: No restrict, DR200%: ISO400 or extra, DR400%: ISO800 or extra
White steadiness Auto White Precedence / Auto / Atmosphere Precedence
Customized Custom1 – 3
Colour temperature choice 2500K~10000K
Preset Nice / Shade / Fluorescent Gentle-1 / Fluorescent Gentle-2 / Fluorescent Gentle-3 / Incandescent Gentle / Underwater
Readability setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer taking pictures Sure (Setting : Interval, Variety of pictures, Beginning time, Interval timer taking pictures publicity smoothing)
Wi-fi transmitter Commonplace IEEE802.11b/g/n (normal wi-fi protocol)
Encryption WEP / WPA / WPA2 combined mode
Entry mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low vitality)
Working frequency (Middle frequency) 2402〜2480MHz
Terminal Digital interface USB Kind-C (USB3.2 Gen1x1)
HDMI output HDMI Micro connector (Kind D)
Others ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Distant Launch Connector
Sizzling shoe
Synchronized terninal
Energy provide NP-W235 Li-ion battery (included)
Battery life for nonetheless photos*3 Regular Mode: Approx. 455 frames
*Auto energy save ON
*When GF63mmF2.8 R WR is about
Precise battery lifetime of film seize*3 Full HD: Approx. 80min. (59.94p)
*Face detection is about to OFF
Continuance battery lifetime of film seize


*3
Full HD: Approx. 140min. (29.97p)
*Face detection is about to OFF
Dimensions Width: 150.0mm
Peak: 104.2mm
Depth: 87.2mm
(Minimal Depth) 44.0mm
Weight together with battery and SD reminiscence card: Approx. 900g
excluding battery and SD reminiscence card: Approx. 819g
Operation Surroundings Working Temperature -10°C~+40°C
Working Humidity 10% – 80% (no condensation)
Beginning up interval Approx. 0.4sec.
Equipment included Li-ion battery NP-W235
AC energy adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Physique cap
Sizzling shoe cowl
Cable protector
Proprietor’s guide

*1 *Please see the Fujifilm web site (https://fujifilm-x.com/assist/compatibility/cameras/) to test reminiscence card compatibility.

*2 Exif 2.32 is a digital digicam file format that incorporates a wide range of taking pictures info for optimum printing.

*3 Approximate variety of frames or film recording time that may be taken with a fully-charged based mostly on CIPA Commonplace.

Information

The brand new Fujifilm GFX 50S II is essentially the most inexpensive GFX branded medium-format digicam ever, providing a 51.4 megapixel sensor for simply £3499 / €3999 / $3999, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A1 full-frame mirrorless.

Paired with the equally new GF 35-70mm F4.5-5.6 WR equipment zoom, the 50SII prices lower than £4000 / €4500 / $4500 with a lens, making medium-format extra accessible than ever earlier than.

The brand new Mark II GFX 50S makes use of the identical 51.4 CMOS sensor as the unique 50S mannequin, however pairs it with the newest X-Processor 4, which permits the brand new model to supply a whopping 79 upgraded features.

Externally it is an identical to final yr’s GFX 100S digicam, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and prime LCD panel, and the identical rear LCD display screen, digital viewfinder and AF joystick on the rear.

The GFX 50S II additionally advantages from 6.5 stops of IBIS, a characteristic that was lacking on the unique 50S, and the following addition of a 205 megapixel Pixel Shift Multi Shot mode.

Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.

Video is restricted to 1080/30p quite than 4K, a limitation of the sensor that the 50SII makes use of, and it is no velocity demon with a quickest steady taking pictures velocity of 3fps.

The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of creating the Mark II model lighter, smaller and crucially cheaper (because it’s less complicated to fabricate).

We have got a gallery of full-size Fujifilm GFX 50S II pattern photographs (JPEG and Uncooked) and a gallery of Fujifilm GFX 50S II hands-on photographs so that you can take pleasure in.

Questioning what the variations are between the brand new and previous fashions? Then take a look at our in-depth Fujifilm GFX 50S II vs GFX 50S Head-to-head Comparability to seek out out.

Fujifilm Press Launch

Fujifilm pronounces FUJIFILM GFX50S II

A compact and light-weight physique geared up with highly effective picture stabilisation and excessive decision 51.4MP large-format sensor

FUJIFILM Company (President: Teiichi Goto) is happy to announce that the “FUJIFILM GFX50S II” (GFX50S II) might be launched in late September 2021 as the newest addition to the GFX Sequence of mirrorless digital cameras geared up with a big format sensor*1.

The GFX50S II packs the 51.4MP large-format sensor to boast an unimaginable image-resolving energy, capturing each element in sharpness throughout the body. Gentle is recorded to the pixel which is 1.7 instances that of a full-frame sensor*2 to realize a large dynamic vary and a excessive signal-to-noise ratio. The ensuing picture reproduces deep tonality and texture from shadows to highlights, and delivers picture readability with minimal noise even when taken in low mild. One of many strengths of the massive format sensor is its capacity to supply a really shallow depth of area. It’s complimented by GF lenses’ edge-to-edge sharpness to intensify the primary topic in opposition to a blurred background for added three-dimensional definition.

The digicam is innovatively designed for added groundbreaking mobility in order that customers can discover its distinctive picture high quality in a broad vary of taking pictures fields. It integrates the high-speed picture processing engine “X-Processor 4” and the newest algorithm with an autofocus system with an enhanced refresh price to grab a decisive shutter alternative. One other highly effective characteristic is its five-axis in-body picture stabilization(IBIS) mechanism that gives as much as 6.5 stops of anti-shake benefit*3, the best within the historical past of the GFX Sequence, to compensate for digicam shakes throughout hand-held taking pictures and decrease movement blur in low mild or in outside settings the place a tripod can’t be used.

Regardless of carrying a powerful array of key gadgets, the digicam is available in a compact kind issue, weighing roughly 900g. Get pleasure from distinctive picture high quality in nice portability, afforded by its dimension equal to full-frame cameras. The GFX50S II brings the premium world of large-format picture high quality nearer than ever earlier than with its superior AF, high-performance In-Physique Picture Stabilization (IBIS) and compact light-weight physique, superior to standard medium-format cameras in each sense.

*1 A picture sensor that measures 55mm diagonally (43.8 mm x 32.9 mm) and is approx. 1.7 instances greater than a 35 mm full-frame sensor

*2 When in comparison with a 50 megapixel full-frame digicam

*3 When mounted with the FUJINON Lens GF63mmF2.8 R WR

Product Options

Superior picture high quality delivered with using a singular 51.4MP large-format sensor

  • The GFX50S II is provided with a 51.4MP giant format sensor, which delivers unimaginable picture decision when mixed with a GF lens.
  • The digicam makes use of a specialised design that makes use of smaller light-collecting micro lenses on the sensor to create a wider hole between adjoining pixels, thereby boosting mild decision per pixel for added picture sharpness.
  • Having a bigger light-receiving space per pixel ends in glorious ISO sensitivity, dynamic vary and tonality, controlling spotlight / shadow clipping whereas conveying the topic’s texture, definitions and even the ambiance of the scene in exact particulars.
  • The flexibility of the massive format sensor to supply a really shallow depth-of-field renders background out of focus superbly, including definitions to the topic and drawing consideration to the place the photographer supposed.

Number of Movie Simulations

The GFX50S II comes with as many as 19 Movie Simulations, together with “Nostalgic Neg.,” developed for the launch of the GFX100S and characterised by excessive saturation and delicate tonality. Use Movie Simulation presets, designed for numerous topic sorts and scenes, whereas checking how they have an effect on the ultimate picture in Stay View.

Compact 5-axis In-Physique Stabilization delivering as much as 6.5-stops of Vibration Discount

  • The GFX50S II includes a five-axis picture stabilization mechanism that gives as much as 6.5 stops of benefit*3, the best within the historical past of the GFX Sequence. This has been made doable with using a high-performance gyro sensor and accelerometer that may detect motions at excessive accuracy. The gyro sensor has been structured to spice up its detection accuracy for exact picture stabilization.
  • This digicam revolutionizes the best way typical medium-format digital cameras are used. Reasonably than being mounted on a tripod for sluggish and cautious taking pictures, the GFX50S II can produce superior picture high quality hand-held with picture stabilization.

Quick and high-precision AF due to the high-speed processing engine and newest algorithm

  • The GFX50S II’s quick and high-precision AF system is assisted by the highly effective gadgets reminiscent of large-format excessive decision sensor, high-speed picture processing engine “X-Processor 4” and picture stabilization mechanism, operated with the newest algorithm. In the course of the distinction detection course of for AF, the built-in highly effective picture stabilization mechanism controls sensor movement blur so as to add velocity and accuracy to the AF efficiency, guaranteeing to seize the decisive photograph alternative in any circumstances.
  • The GFX50S II makes use of the X-Processor 4 and the newest algorithm that improves AF’s refresh price. This ends in extra correct autofocus in Face / Eye Detection in comparison with a earlier mannequin.*4 The flexibility to shortly attain focus regardless of utilizing the large-format sensor with a shallow depth of area, assists customers significantly when taking pictures portraits with actions.

*4 FUJIFILM GFX 50S

Revolutionary compact and light-weight physique for superior mobility

  • The usage of the compact and highly effective in-body picture stabilization (IBIS) mechanism and shutter unit has been mixed with optimized format of assorted gadgets to realize a logic-defying compact physique for a large-format digicam, weighing roughly 900g and measuring 104.2mm excessive and 87.2mm deep.
  • The grip has been formed in order that the digicam sits comfortably within the hand, guaranteeing consolation by considerably decreasing hand strains when utilizing a big zoom lens, for instance.
  • The casing is made from extremely inflexible magnesium alloy. Added thickness across the base of the lens mount, which is topic to larger load particularly, has made the digicam physique extremely sturdy. The GFX50S II can also be weather-sealed at 60 places to supply dust- and moisture-resistance and talent to function in temperatures as little as -10℃. The digicam’s distinctive portability is coupled with its robustness in all taking pictures conditions to increase the world of extremely high-resolution pictures.

Straightforward operability for a easy taking pictures expertise

  • The highest panel options the Mode dial, usually seen in lots of digital cameras, in order that customers can deal with the digicam in a well-known vogue. It provides six customizable positions C1 – C6, permitting customers to register their alternative of features to every of the positions and activate them shortly for a easy photograph shoot.
  • There’s a selector on the highest panel to immediately change between the nonetheless and video modes for added comfort.
  • The usage of a flat-shaped Focus Lever reduces bodily discomfort even after prolonged use. It responds with enhanced sensitivity when shifting the main focus level, permitting customers to achieve focus on the supposed location shortly.
  • The 1.8-inch sub LCD monitor with glorious visibility is discovered on the highest panel, displaying key EXIF settings reminiscent of shutter velocity, aperture, ISO sensitivity and publicity. Further info displayed consists of the variety of frames remaining when taking pictures stills and the remaining submitting length when recording video. The show could be personalized for added comfort.
  • On the rear panel is a 3.2-inch primary LCD monitor with 100% protection. It could actually tilt in three instructions to allow high- and low-angle taking pictures, for which the digital viewfinder (EVF) can’t be simply used.

“Pixel Shift Multi-Shot” perform to seize and generate 200MP photos freed from false colour

The GFX50S II options the Pixel Shift Multi-Shot perform, able to creating 200MP photos freed from false colour presentation. The flexibility to breed a photograph topic’s colours, texture and even its ambiance within the most interesting of particulars makes the digicam an ideal alternative for archiving. Massive artworks and historic artifacts, beforehand troublesome to {photograph} intimately due to their dimension, could be captured in exact particulars in edge-to-edge readability.

  • This perform makes use of the digicam’s IBIS to shift the picture sensor by 0.5 pixel to incrementally report 16 RAW photos and mix them right into a single Digital Detrimental (DNG) RAW file within the software program “Pixel Shift Combiner,” producing an ultra-high-definition 200MP picture. The excessive pixel depend results in an astonishing stage of tonality and three-dimensional definitions for edge-to-edge readability.
  • The picture sensor is shifted in excessive precision to make sure that every pixel data picture knowledge in purple, inexperienced and blue, fully eliminating false colour and recording the topic in correct colour info.
  • The perform could be configured to supply 51.4MP photos, that are simpler to deal with, freed from false colour.

Product title, launch date and value





Product title

Launch date

Really useful retail value

Digital digicam “FUJIFILM GFX50S II”

Late September 2021

3,999US$

£3,499

Digital digicam & lens equipment

“FUJIFILM GFX50S II”

“GF35-70mmF4.5-5.6 WR”

Late September 2021

£3899

4,499US$

The GFX 50S was officialy discontinued in February 2021 and the 50R mannequin will even comply with go well with with the discharge of the brand new 50S II.

Anticipate to see the Fujifilm GFX 50S II accessible in-store from September twenty third 2021.

Picture Gallery

Click on on a thumbnail to see the complete model.

Palms On

Wish to see precisely what the brand new Fujifilm GFX 50S II medium-format digicam appears like within the flesh?

Take a look at our hands-on gallery of photographs of the Fujifilm GFX 50S II digicam.

A gallery of hands-on photographs of the brand new Fujifilm GFX 50S II digicam.

Picture Gallery

Click on on a thumbnail to see the complete model.

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