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Fujifilm GFX 50S II Assessment


The GFX 50S II is the fifth medium-format mirrorless digital camera that Fujifilm have launched in the previous couple of years, and is by far essentially the most inexpensive, making medium-format out there to a a lot wider viewers.

As its identify suggests, it has a 50 megapixel picture sensor which bodily measures 43.8×32.9mm, a lot bigger than the 36x24mm sensor present in a 35mm full-frame digital camera – roughly 1.7x bigger actually.

The Fuji 50S II really makes use of precisely the identical sensor because the older 50 megapixel 50S and 50R fashions, regardless of costing considerably lower than each at launch.

This can be a again illuminated CMOS sensor with the identical contrast-detect sort autofocus system because the 50S and 50R, with no phase-detection AF sensors embedded within the sensor as on the 100 megapixel GFX 100 and 100S cameras.

Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.

The native ISO vary runs from ISO 100 to ISO 12,800, which is expandable to 50-102,400.

The GFX50S II does use the newest, strongest X-Processor 4 picture processor, although, a function that’s shared with the 100 megapixel fashions, which permits the brand new model to supply a whopping 79 upgraded features when in comparison with the unique 50S mannequin.

Identical to the GFX 100 and 100S, the 50S II options in-body picture stabilization (IBIS), however this time the five-axis picture stabilisation system supplies an excellent higher compensation ranking of as much as 6.5 stops.

The Fuji 50S II provides 1080p video recording with a body charge of 30fps, a limitation of the sensor that it makes use of, moderately than the 4K 30p video recording discovered on the GFX 100/S.

The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of creating the Mark II model lighter, smaller and crucially cheaper (because it’s less complicated to fabricate).

Different key specs embody a weather-resistant magnesium alloy physique, 3.69M-dot OLED digital viewfinder with 100% protection and a magnification of 0.77x, 2.36 million dot tilting 3.2-inch LCD show, Face and Eye Detection AF, 3fps steady capturing speeds, and twin UHS-II SD reminiscence card slots.

The 50S II additionally provides shutter speeds from 60 minutes to 1/4000th sec utilizing the mechanical focal aircraft shutter or as much as 1/16000 sec through the digital shutter, interval capturing and a number of publicity modes, built-in Wi-Fi and Bluetooth connectivity, and a USB-C port.

The Fujifilm GFX 50S II is accessible now priced at £3499 / $3999 physique solely or £3999 / $4499 with the brand new GF 35-70mm package lens, within the UK and USA respectively, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A7R IV 35mm full-frame mirrorless cameras.

Ease of Use

Fujifilm GFX 50S II

Externally the brand new GFX 50S II is equivalent to final 12 months’s GFX 100S digital camera, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and high LCD panel, and the identical rear LCD display, digital viewfinder and AF joystick on the rear.

The GFX 50S II can also be taking over the 35mm full-frame market by being equally sized to some DSLR and mirrorless fashions, regardless of having a bigger, medium format sensor – and have we already talked about that it’s totally equally priced to flagship full-frame fashions from Canon, Sony, Nikon and Panasonic, even with a lens included?

Regardless of having a medium format sensor, it is clear that Fujifilm believes the GFX 50S II principal rivals are 35mm sensor cameras, not the “conventional” medium-format market that primarily serves studio photographers.

With this new mannequin, Fujifilm have aggressively diminished the scale and the worth of the GFX 50S II to tackle the likes of the Sony Alpha A7R IV, Canon EOS R5, Nikon Z7 II and Panasonic Lumix S1R, to not point out DSLRs just like the Canon EOS 5D IV and Nikon D850.

Fujifilm does not have a 35mm digital camera vary – as an alternative it has the extremely popular APS-C X-series and the comparatively new GFX medium-format sequence.

Fujifilm GFX 50S II

So it is attacking the favored full-frame market from two angles – smaller, lighter and cheaper cameras just like the X-T4, and now a medium-format digital camera that’s comparable in dimension, weight and even value to the newest flagship 35mm fashions.

We have not even talked about the GFX 50S II’ medium format rivals, which excluding the now ageing Pentax 645Z are invariably bigger and far, way more costly than this digital camera.

As ever with cameras, there is no one mannequin that does all of it, although, so do not count on the GFX 50S II to rival smaller-sensor cameras for issues like burst capturing speeds, video and auto-focus efficiency.

It’s nonetheless very a lot a medium-format digital camera in theses areas, which is particularly true with the 50S II as a result of it continues to make use of the now ageing 50 megapixel sensor that made its debut in 2017’s 50S digital camera.

The Fuji 50S II weighs 900g and measures 150×104.2×87.2mm, making it barely greater and heavier than the unique 50S, which weighed in at 740g and measured 148x94x91mm, though the figures for the GFX 50S are with out the detachable EVF being fitted, and crucially it does not have IBIS both, in contrast to the 50S II.

Fujifilm GFX 50S II

Identical to the GFX 100S, Fujifilm aren’t releasing an non-obligatory battery grip for the GFX 50S II – it does not even have {the electrical} contacts on the underside of the digital camera physique – so there will likely be no Third-party choices out there both.

As an alternative there’s a steel hand grip accent referred to as the MHG-GFXS that enhances the in-hand really feel of the digital camera, considerably sarcastically by making it greater.

So when you’re a fan of both becoming an non-obligatory battery grip to your digital camera for higher battery life and improved ergonomics when capturing in portrait mode, sadly the GFX 50S II will not meet your wants, and you will want to think about the older 50S or 50R fashions as an alternative.

So Fuji’s engineers have included an in-body 5-axis stabilisation unit for the primary time in a 50 megapixel mannequin, one which’s really much more efficient than the unit contained in the GFX 100S.

The GFX 100 provides 5.5 stops of compensation, the GFX 100S provides 6 stops of compensation, and the GFX 50S II provides a class-leading 6.5 stops of compensation, because of a barely redesigned IBIS unit.

Fujifilm GFX 50S II

That is the third GFX and third ever medium format digital camera to function in-body picture stabilization. The Fuji GFX 50S II makes use of a well-known 5-axis system which supplies as much as 6.5 stops of picture stabilization (when utilizing the GF 63mm F2.8 R WR lens).

The primary two 50 megapixel GFX cameras did not have IBIS built-in, as an alternative counting on the lens to supply it, which not all GFX lenses do. With the GFX 50S II, any lens that you simply connect to it is going to mechanically profit from as much as 6.5 stops of compensation. Moreover, the identical system is used to assist suppress shutter shock, which given the decision on supply is a really welcome profit.

Pixel Shift is a particular Multi-Shot perform that makes use of the IBIS unit to allow the GFX 50S II to create 205 megapixel photographs. The digital camera’s IBIS unit is used to shift the picture sensor by as much as a pixel in numerous instructions throughout a sequence of 16 photographs, which may then be mechanically mix right into a single picture utilizing Fuji’s Pixel Shift Combiner software program.

Fuji additionally redesigned the focal aircraft shutter unit to be able to scale back the scale of the 50S II, but it surely nonetheless provides the identical quickest shutter pace of 1/4000th second and the longest publicity time of 60 minutes. There’s additionally an digital shutter which supplies an excellent sooner shutter pace of as much as 1/16000 sec, which is helpful for capturing in shiny circumstances at wide-open apertures, for instance.

The third main design determination that has helped to make the GFX 50S II so small, along with the brand new IBIS and shutter models, is the adoption of a smaller battery.

Fujifilm GFX 50S II

The Fujifilm GFX 50S II makes use of precisely the identical NP-W235 battery because the X-T4 APS-C sensor digital camera and the GFX 100S, moderately than the bodily bigger TP-125 battery utilized by the GFX 100 and the GFX 50S, and it is included into the underside of the handgrip, once more permitting the designers to make the 50S II smaller.

The NP-W235 provides a CIPA-rated battery lifetime of as much as 455 photographs on a single cost in regular mode, versus 400 photographs for the TP-125, so it really out-performs the larger battery.

The Fuji GFX 50S II is a really well-built digital camera, as you’d in all probability count on for £3.5K, with completely no flex or motion in its chassis because of a die-cast magnesium alloy physique and machined management dials.

It is also dust-resistant, waterproof and freeze-resistant right down to -10°C, making this a medium format digital camera that can be utilized outdoors in addition to indoors, additional growing its versatility.

When it comes to its ergonomics and management format, the 50S II is the most effective realised GFX mannequin but, and the one which we have most loved utilizing, primarily as a result of it handles identical to a premium full-frame DSLR or mirrorless digital camera.

Fujifilm GFX 50S II

The entrance of the Fujifilm GFX 50S II is adorned with the white Fujifilm brand positioned above the lens. To the left of the lens mount, if viewing the digital camera front-on, is a small black button that may be customised, which by default accesses the Efficiency Increase features. On the bottom-left of the lens is a round button for releasing the lens.

Because of the adoption of the NP-W235 battery and its placement, the 50S II has a really massive grip that I might comfortably match even my pinky finger round while working the shutter button together with your forefinger and gripping the again of the digital camera together with your thumb, which makes it exceptionally straightforward to carry for prolonged quantities of time. Even quick durations of one-handed use are potential – what number of medium format cameras are you able to say that about?

Identical to they just lately did with the X-S10 APS-C digital camera, Fujifilm have made the very-unlike-Fuji determination to considerably simplify the design of the GFX 50S II by not together with the standard shutter pace and ISO pace dials that adorn most of its cameras.

As an alternative, there is a conventional capturing mode dial on the left, full with a minimum of 6 (!) Customized mode settings and the standard PASM modes, and a big, monochrome top-panel LCD display on the correct, a mixture that is identical to the one on the GFX 100S.

In entrance of the capturing mode dial is the model new capturing mode swap, which toggles between Film and Nonetheless. This can be a welcome simplification of the best way by which you selected these modes on earlier GFX cameras, though you do lose top-panel entry to the Drive modes, which at the moment are as an alternative accessed by the brand new Drive button on the rear of the digital camera.

Fujifilm GFX 50S II

The 1.8″ top-panel LCD display cleverly replaces the standard bodily ISO and Shutter pace dials by displaying three “digital” controls as an alternative, with ISO on the left, shutter pace on the correct and publicity compensation on the underside.

Relying upon which capturing mode you are in, as you employ the entrance and rear management dials to vary these settings, the digital show is up to date in real-time.

It may also be toggled utilizing the small unmarked button to the bottom-right of the highest LCD display to alternatively show both a histogram or the Fuji GFX 50S II’s present key settings, together with the shutter pace, aperture, publicity compensation, sensitivity, capturing mode, white steadiness and movie simulation mode.

It isn’t fairly as handy as having precise dials, however is a intelligent concept nonetheless, particularly as when set to the important thing settings mode, the LCD display stays on when the digital camera is turned off, which acts as a fast reminder of your final used settings even earlier than you flip the digital camera again on.

There’s additionally no helpful publicity compensation dial, nonetheless, as an alternative changed by a tiny devoted button on high of the digital camera subsequent to the shutter button that is moderately awkwardly used along side the rear management dial.

Fujifilm GFX 50S II

Finishing the highest of the digital camera is a small button for illuminating the highest LCD panel, an unmarked, re-configurable Perform button that by default toggles Face Detection on and off, and an On/Off swap that surrounds the shutter launch button – this is not threaded for a standard shutter launch cable, although, as on some X-series cameras.

The Fujifilm GFX 50R is supplied with a 43.8×32.9mm CMOS sensor with a decision of 51.4 megapixels and no optical low cross filter that delivers 8256×6192 pixel nonetheless photographs.

The sensor is basically the identical because the one discovered within the Fujifilm GFX 50S, 50R and Hasselblad X1D cameras.

This chip has an imaging space that is 1.7x higher than that of a 35mm “full-frame” sensor, and over 3.7 instances bigger than the APS-C sized sensors utilized in Fujifilm’s X-series cameras.

Not like these cameras, although, the Fujifilm GFX 50R has a standard Bayer color filter array in entrance of the sensor. The pixel rely is not actually greater than that of the highest-resolution 35mm full-frame DSLRs – the Canon EOS 5DS and 5DS R – however the pixel pitch is bigger, promising a wider dynamic vary and a greater signal-to-noise ratio.

Fujifilm GFX 50S II

The Fujifilm GFX 50S II has the identical contrast-detect sort autofocus system as the unique 50S, with no phase-detection AF sensors embedded within the sensor as on the GFX 100/100S cameras, so if auto-focus pace is paramount then one of many GFX 100 fashions is the best choice.

Having mentioned that, Fujifilm have added a brand new Fast AF choice to the Mark II 50S, which hurries up the contrast-based focusing and likewise makes it extra correct by utilizing the brand new IBIS unit to regulate sensor movement blur.

Additionally, the newest X-Processor 4 contained in the 50SII advantages from having the newest algorithm that improves the AF’s refresh charge, leading to extra correct autofocus in Face / Eye Detection in comparison with the earlier mannequin.

Relying on the lighting circumstances, the GFX 50S II is quicker than the unique 50S mannequin however nonetheless a bit of on the sluggish facet to auto-focus, taking about 1/3 second to lock onto the topic and likewise liable to searching in low-light environments.

The AF level may be set to one among six totally different sizes through the rear management dial to realize extra exact focusing, and you may as well merely faucet on the touchscreen to set the AF level. If you would like much more management, you may choose the 425 factors possibility which splits the identical space of the body right into a 17×25 grid of smaller AF factors.

Fujifilm GFX 50S II

The Fuji GFX 50S II additionally provides Zone and Extensive/Monitoring modes which utilise the bigger 425-point space to seize shifting topics.

In Zone mode, you may choose a 3×3, 5×5 or 7×7 zone out of the 425-point AF space. Throughout AF-C focus, the digital camera regularly tracks the topic, positioning it on the centre of the zone.

The Extensive/Monitoring mode combines the Extensive mode (throughout AF-S), by which the GFX 50S II mechanically identifies and tracks the world in focus throughout the 425 level AF space, and the predictive Monitoring mode (throughout AF-C), which makes use of your complete 425-point space to proceed monitoring the topic. This function permits steady specializing in a topic that’s shifting up and down, left and proper or in direction of and away from the digital camera.

Guide focus can also be offered, and excellent it’s too. As you’d count on, the handbook focus rings on all of the GFX lenses have a stunning really feel, and two totally different focusing aids are offered – auto magnification and focus peaking. At the side of the high-resolution digital viewfinder, we discovered it straightforward to precisely decide important sharpness.

The GFX 50S II provides a steady capturing charge of 3fps, the identical charge because the 50S, however the buffer depth is far higher – for limitless JPEGs or 31 compressed Uncooked information when you use a UHS-II SDXC card and the digital shutter, making it one of many sooner medium format cameras in the marketplace. For those who want to make use of the mechanical shutter, the speed drops to 2.2fps for limitless JPEGs or compressed Raws.

Fujifilm GFX 50S II

The GFX 50S II provides precisely the identical primary video mode because the 50S and 50R, supporting both Full HD (1920×1080 pixels) or 720p recording at 29.97, 25, 24, and 23.98 fps within the H.264 compressed MP4 format. There is not any 4K recording on this digital camera – you will have to step as much as the 100 megapixel GFX 100/100S fashions for that function.

The Mark II does supply an improved most recording time of two hours, although, versus half-hour on the unique mannequin.

There are each 3.5mm Mic and three.5mm Headphone ports on the left-hand flank of the digital camera when considered from the rear, with USB-C, HDMI and an X-Sync flash socket under them.

The GFX 50S II may be powered and charged through the USB-C connection, which is helpful when you’re out and about and have a suitable powerbank to plug the digital camera into.

Two reminiscence card slots are positioned on the right-hand flank of the digital camera when considered from the rear. The GFX 50S II provides compatibility with Extremely Excessive Pace UHS-II SDXC reminiscence playing cards, which has the primary profit of accelerating the info writing pace in steady mode to about twice that of a standard UHS-1 card.

Additionally positioned on the correct of the digital camera physique is the Distant socket, hidden beneath it is personal flap.

Fujifilm GFX 50S II

The Fuji GFX 50S II options each built-in wi-fi and Bluetooth connectivity. The latter possibility creates a continuing, low-power connection between the digital camera and a smartphone/pill to switch photographs and video utilizing the Fujifilm Digital camera Distant smartphone app, whereas the previous lets you remotely management the GFX 50S II through a 2.4Ghz wi-fi connection utilizing a smartphone or pill and the Fujifilm app, and switch photographs and video from one machine to the opposite.

With its focal-plane mechanical shutter, the Fujifilm GFX 50S II has a high shutter-speed restrict of 1/4000th second in all capturing modes. This lets you choose a sooner aperture even in shiny circumstances or when capturing with flash in the course of the day, though there is no built-in ND filter.

The GFX 50S II additionally has an digital shutter along with the mechanical one, which supplies a a lot sooner high shutter pace of 1/16,000th second. This lets you proceed capturing wide-open with quick aperture lenses within the brightest of circumstances with out having to resort to becoming a glass ND filter or utilizing exterior flash and lights.

There are some vital caveats with the digital shutter – the ISO vary is restricted to 100-12800 and you’ll’t use an exterior flashgun, however general it is an incredible function that makes the GFX 50S II extra versatile.

Moderately than a standard optical viewfinder, the Fuji GFX 50S II employs the identical 3.69M-dot OLED digital viewfinder that the GFX 100S makes use of, which is 0.5 inch in dimension with 100% scene protection and 0.77x magnification.

Fujifilm GFX 50S II

Not like the unique GFX 50, this digital viewfinder is fastened in place and never detachable. The EVF can really be fully faraway from the primary digital camera physique on the 50S mannequin, whereas it is fastened in place on the brand new GFX 50S II. It provides the identical 3.69M-dot decision however has higher 0.85x magnification.

The non-obligatory EVF-TL1 tilt and swivel adapter may also be used with the 50S’ viewfinder to vary the angle of the viewfinder to a most angle of 90° when capturing horizontal landscapes and ±45° when capturing within the portrait place.

So the viewfinder on the 50S is extra versatile and higher-resolution than the one on the newer mannequin, at the price of nice complexity and an accompanying improve in value.

The dimensions of the rear LCD display is 3.2-inches and the decision is a formidable 2.36m-dots, precisely the identical because the display on the GFX 50S and 100/S. It may also be usefully tilted up and down by about 90 levels when in panorama mode and upward when capturing in portrait mode through a easy press of a button on the facet.

The Fujifilm GFX 50S II has an intuitive touchscreen interface, permitting you to both transfer the AF level or concurrently transfer the AF level and concentrate on the topic.

Fujifilm GFX 50S II

On the right-hand facet of the display is a small icon which when you press it lets you select between utilizing the display to set the AF level, or to have it focus as properly. For those who want, you may flip off this performance altogether, however it’s faster than utilizing the joystick to set the AF level.

One disadvantage to leaving the touchscreen AF on is that we saved inadvertently shifting the AF level when altering lenses or utilizing the EVF. In picture playback, you may merely drag left and proper to undergo the sequence of photographs and pinch/double-tap to zoom out and in, though you continue to cannot use the primary menu system through the touchscreen.

Not like the GFX 100 with its moderately unfamiliar design, the rear panel of the 50S II will really feel extra welcoming to anybody who has ever dealt with a Fujifilm X-series digital camera earlier than.

There’s the aforementioned Drive button and a Delete button positioned to the left of the EVF and an AF Mode dial (S/C/M) on the correct, with a small AF On button for back-button focusing and the rear management dial alongside that.

Fujifilm GFX 50S II

The tiny Fast Menu button is ready into the rear thumb relaxation. This supplies fast entry to a lot of continuously used capturing settings together with the ISO pace, White Steadiness, File Dimension and File High quality, with both the main focus joystick, entrance management dial or the touchscreen used to rapidly change between them.

As an alternative of a standard 4-way controller with a centred Menu/OK button, the Fujifilm GFX 50S II has a vertical column of buttons, beginning with the brand new, tactile 8-way joystick which is primarily used for setting the AF level after which the AE-Lock button.

Beneath these controls within the Menu/OK button which accesses the seven totally different Taking pictures and Set-up menus, the Disp/Again button which is used for altering the LCD show or going again, and at last the Playback button.

The bottom of the digital camera contains a screw tripod thread that is inline with the centre of the lens mount and the battery compartment.

Picture High quality

The entire pattern photographs on this assessment had been taken utilizing the 51.2 megapixel SuperFine JPEG setting, which supplies a median picture dimension of round 25Mb.

The Fujifilm GFX 50S II produced photographs of excellent high quality in the course of the assessment interval.

This digital camera produces noise-free photographs at ISO 50 as much as ISO 3200, with some noise showing at ISO 6400. The sooner settings of ISO 12800 and 25600 are nonetheless usable, though we might recommend avoiding ISO 51200 and better if potential.

The RAW information had been additionally glorious, exhibiting extra noise however nonetheless producing very usable photographs from ISO 50-12800.

The night time {photograph} was excellent, with the utmost shutter pace of 60 minutes permitting you to seize sufficient mild in nearly all conditions. The Dynamic Vary settings subtly enhance element within the shadows and highlights, whereas the Movie Simulation modes hark again to a bygone period.


There are 12 ISO settings out there on the Fujifilm GFX 50S II. Listed below are some 100% crops which present the noise ranges for every ISO setting for each JPEG and Uncooked information.


ISO 50

ISO 50

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ISO 100

ISO 100

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ISO 200

ISO 200

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ISO 400

ISO 400

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ISO 800

ISO 800

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ISO 1600

ISO 1600

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ISO 3200

ISO 3200

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ISO 6400

ISO 6400

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ISO 12800

ISO 12800

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ISO 25600

ISO 25600

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ISO 51200

ISO 51200

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ISO 102400

ISO 102400

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File High quality

The Fujifilm GFX 50S II has 3 totally different JPEG file high quality settings out there, with SuperFine being the very best high quality possibility, and it additionally helps Uncooked. Listed below are some 100% crops which present the standard of the assorted choices, with the file dimension proven in brackets.

SuperFine (26.5Mb) (100% Crop)

Wonderful (15.1Mb) (100% Crop)

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Regular (9.12Mb) (100% Crop)

Uncooked (111Mb) (100% Crop)

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Lengthy Exposures

The Fujifilm GFX 50S II’ most shutter pace is 60 minutes within the Bulb mode, which is nice information when you’re critically desirous about night time images. The shot under was taken utilizing a shutter pace of 30 seconds at ISO 100.


Dynamic Vary

The Fujifilm GFX 50S II has three dynamic vary settings – 100% (on by default), 200%, and 400% – and an Auto setting if you wish to let the digital camera take management.

These settings steadily improve the quantity of element seen within the shadow and spotlight areas, with the side-effect of extra noise showing within the picture. Word which you could’t really flip this function off.

Movie Simulations

The Fujifilm GFX 50S II provides 19 totally different movie simulation modes to assist replicate the look of your favorite movie inventory from the previous, together with the comparatively new Nostalgic Detrimental Movie Simulation, which is characterised by excessive saturation and tender tonality and mentioned to be paying homage to American New Color Pictures which emerged within the Nineteen Seventies.

Pixel Shift

Pixel Shift is a particular Multi-Shot perform that can be utilized to create 205 megapixel photographs!

The digital camera’s built-in IBIS unit is used to shift the picture sensor by as much as a pixel in numerous instructions in the course of the sequence of 16 photographs.

You then have to obtain the brand new Pixel Shift Combiner software program from, manually choose the 16 information that make up every Pixel Shift shot, and the software program will then mechanically mix them right into a single DNG file.

A number of Publicity

The Fujifilm GFX 50S II’s A number of Publicity drive mode lets you take two consecutive pictures and mix them into one.


Pattern Photographs

This can be a choice of pattern photographs from the Fujifilm GFX 50S II digital camera, which had been all taken utilizing the 51.4 megapixel Superfine JPEG setting. The thumbnails under hyperlink to the full-sized variations, which haven’t been altered in any approach.

Pattern RAW Photographs

The Fujifilm GFX 50S II permits customers to seize RAW and JPEG format information. We have offered some Fujifilm RAW (RAF) samples so that you can obtain (thumbnail photographs proven under will not be 100% consultant).

Pattern Film & Video

This can be a pattern film on the high quality setting of 1920×1080 pixels at 30 frames per second. Please observe that this 15 second film is 100Mb in dimension.

Product Photographs

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When the 100 megapixel GFX 100S was launched in 2019, we mentioned that medium-format images had by no means been fairly so compact, moveable, easy-to-use or versatile.

That assertion is simply as true with the introduction of the 50S II, with one vital caveat – you now want so as to add “inexpensive” to that checklist of superlatives.

By cunningly bringing collectively the confirmed 50 megapixel sensor from the 50S/R fashions with the identical physique and design because the 100S, Fujifilm have managed to create a comparatively tiny medium-format digital camera that prices the identical as a high-end 35mm full-frame mannequin, one thing that is by no means been achieved earlier than.

The brand new GFX 50S II is equally sized to some 35mm DSLR and mirrorless flagships from different manufacturers, but it nonetheless squeezes in a 1.7x bigger sensor and an IBIS unit into its comparatively svelte dimensions.

Positive, the GF lenses are bigger and heavier than their 35mm counterparts, which in flip makes the general GFX system heavier than full-frame, however the truth that we’re even evaluating the 2 techniques on this regard in any respect is fairly outstanding.

The 50mp sensor is getting barely lengthy within the tooth from a focusing and video standpoint, and steady capturing is nothing to put in writing residence about, however on the flip-side it continues to ship the confirmed Fuji picture high quality that we have come to like, whether or not that is capturing JPEGs or Uncooked.

That is actually a medium format digital camera that’s equally at residence within the studio or out within the subject, because of its amazingly compact design, large decision, very efficient stabilisation system, and full weather-proofing.

And because of its frankly astonishing price ticket, medium format has by no means been fairly so tempting financially both – at £$2000 lower than the unique GFX 50S value on launch 4 years in the past, it is clear that Fujifilm are going all out to tempt full-framers to make the leap as much as medium-format.

For a lot of photographers who do not want the eye-wateringly quick burst capturing charges, advanced AF techniques or cutting-edge video specs of cameras just like the Sony A1 and Canon EOS R5, and as an alternative prioritise picture high quality over out-and-out pace, the brand new Fujifilm GFX 50S II will in some ways be a greater match, with out having to pay the premium that stepping as much as medium format has historically demanded.

5 stars

Scores (out of 5)
Design 5
Options 4
Ease-of-use 4.5
Picture high quality 5
Worth for cash 5

Principal Rivals

Listed under are a number of the rivals of the Fujifilm GFX 50S II.

The EOS R5 has been the most well liked full-frame digital camera on the block ever since Canon pre-announced it again firstly of 2020, because of its headline grabbing twin options of a forty five megapixel sensor and 8K video recording. We have seen it just a few instances since then, however now we will lastly deliver you our ultimate Canon R5 assessment, full with full-size pattern pictures and movies!

The brand new 100-megapixel medium-format Fuji GFX 100S is smaller, lighter and extra versatile than the flagship GFX 100, and crucially, considerably cheaper too. A lot in order that it steps on the toes of high-end 35mm full-frame cameras just like the Sony Alpha 1, Canon EOS R5 and Nikon Z7 II. Does the GFX 100S actually show that medium-format is “Greater than full-frame”, and is it actually higher than the GFX 100? Discover out now by studying our in-depth assessment, full with an enormous gallery of full-size pattern photographs and movies…

The Fujifilm GFX 50R is a rangefinder-style medium-format mirrorless digital camera with a 50 megapixel sensor, 3.2-inch tilting touchscreen LCD, digital viewfinder, ISO vary of 50-102400, twin reminiscence card slots and 3fps steady capturing. Oh, and it solely prices £3999 / $4499, making it the most affordable medium format digital camera in the marketplace. Learn our detailed Fujifilm GFX 50R assessment now…

The Fujifilm GFX 50S is a brand new medium-format mirrorless digital camera, providing a 50 megapixel sensor, a 3.2-inch tilting touchscreen LCD and a detachable digital viewfinder in a physique that is no greater than a 35mm full-frame DSLR. Learn our in-depth Fujifilm GFX 50S assessment now…

The Hasselblad X1D II 50c is a contemporary medium-format mirrorless digital camera with a 51 megapixel sensor, massive 3.6-inch touchscreen LCD and an improved digital viewfinder, all housed in a superbly crafted physique. Learn our in-depth Hasselblad X1D II 50c assessment now…

The Leica SL2-S is an impeccably constructed full-frame mirrorless digital camera, providing a 24.6 megapixel BSI sensor, DCI 4K/60p video recording, 25fps burst capturing, a class-leading EVF, IBIS price 5.5 stops, ISO 100,000 and twin UHS-II SD reminiscence card slots. Learn our in-depth Leica SL2S assessment to search out out what this £3,975 / $4,895 digital camera is able to…

The Nikon Z7 II full-frame mirrorless digital camera is the 2020 replace of the unique Z7 mannequin, principally bettering the autofocusing, buffer and video and including a second reminiscence card slot. Are these modifications sufficient for it to compete with its principal rivals just like the Sony A7R IV and the Canon EOS R5? Discover out now by studying our in-depth Nikon Z7 II assessment, full with full dimension pattern pictures and movies…

Panasonic have loved loads of success with their Micro 4 Thirds digital camera vary, and now they’ve turned their consideration to the full-frame market with the discharge of the thrilling new Lumix S1R. This can be a 47 megapixel full-frame mirrorless digital camera with 187 megapixel excessive decision mode, class main digital viewfinder, 6-stop IBIS, and a sturdy weatherproof physique. Learn our in-depth Panasonic S1R assessment now to search out out extra about this spectacular digital camera…

The Sony Alpha 1 digital camera, or Sony A1 for brief, is the most effective digital camera that Sony have ever launched, and at present the most effective all-round digital camera in the marketplace. It is also probably the most costly, so learn our in-depth Sony A1 assessment full with full-size pattern JPEG and Uncooked pictures and flicks to search out out if it is actually the One for you…

Historically, you’d need to make a troublesome selection between decision and pace in the case of high-end cameras, however with the brand new flagship A7R IV mirrorless mannequin, Sony try to supply the most effective of each worlds. Can it actually succeed as a digital camera that fits every kind of photographers? Learn our in-depth Sony A7R IV assessment to search out out…

Assessment Roundup

Evaluations of the Fujifilm GFX 50S II from across the net.

In nearly each respect, the 50S II is a lower-res model of the GFX 100S, sharing extra with its excessive pixel-count sibling than it does with the unique GFX 50S. The means it advantages from all of the refinements Fujifilm has launched within the 5 years for the reason that first GFX 50S was launched but in addition sees some options pared again.

Learn the complete assessment »

Fujifilm’s improve to its comparatively inexpensive 50MP GFX digital camera doesn’t look very spectacular on paper – no 4K video, solely 3fps steady capturing pace – however some vital modifications each in and out have made this the primary 50MP stabilized shooter from Fujifilm, with the most affordable price ticket for a medium format digital camera. Together with its impeccable picture high quality, it’s straightforward to fall in love with this digital camera. Nonetheless, its comparatively sluggish autofocus (as in comparison with different mirrorless cameras), meager 3fps burst charge and lack of 4K video might deter some customers.

Learn the complete assessment »

It’s simply 5 years since Fujifilm revolutionised medium format digital with the launch of its GFX 50S. This digital camera offered 51.4MP decision and mirrorless structure for £6,200 body-only, which was a ground-breaking value on the time. Since then, the GFX system has gone from power to power, with the GFX100S that appeared earlier this 12 months providing 102MP for £5,500, in physique that’s comparable in dimension to a full-frame DSLR. Now with the GFX50S II, Fujifilm has introduced the worth of entry even decrease, to only £3500 body-only, or £3900 with the brand new matched GF 35-70mm F4.5-5.6 WR package zoom.

Learn the complete assessment »


Mannequin identify FUJIFILM GFX50S II
Lens Mount FUJIFILM G mount
Picture sensor 43.8mm×32.9mm Bayer array with main shade filter
Variety of efficient pixels 51.4 million pixels
Sensor Cleansing System Extremely Sonic Vibration
Picture Processing Engine X-Processor 4
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Pace Class V90*1
File format of nonetheless picture DCF Compliant with Design rule for Digital camera File system (DCF2.0)
JPEG Exif Ver.2.32*2
RAW 14bit RAW (RAF unique format)
TIFF 8bit / 16bit RGB (In-camera Uncooked Conversion Solely)
Variety of recorded pixels [L]〈4:3〉 8256 x 6192 〈3:2〉 8256 x 5504 〈16:9〉 8256 x 4640 〈1:1〉 6192 x 6192
〈65:24〉 8256 x 3048 〈5:4〉 7744 x 6192 〈7:6〉 7232 x 6192
[S]〈4:3〉 4000×3000 〈3:2〉 4000×2664 〈16:9〉 4000×2248 〈1:1〉 2992×2992
〈65:24〉 4000×1480 〈5:4〉 3744×3000 〈7:6〉 3504×3000
Sensitivity Nonetheless Picture Customary Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Prolonged Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Film Customary Output: AUTO / ISO200~6400 (1/3 step)
Publicity management TTL 256-zone metering / Multi / Spot / Common / Middle Weighted
Publicity mode P (Program AE) / A (Aperture Precedence AE) / S (Shutter Pace Precedence AE) / M (Guide Publicity)
Publicity compensation Nonetheless -5.0EV~+5.0EV 1/3EV step
Film -2.0EV~+2.0EV 1/3EV step
Picture stabilizer Mechanism Picture sensor shift mechanism with 5-axis compensation
Compensation Impact 6.5 stops
*primarily based on CIPA normal
*Pitch/yaw shake solely
*With GF63mmF2.8 R WR lens mounted
Digital Picture Stabilization Sure (film mode solely)
IS MODE BOOST Sure (film mode solely)
Shutter sort Focal Aircraft Shutter
Shutter pace Mechanical shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
Digital shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.
*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash cannot be used.
Mechanical + Digital shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.
*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash cannot be used.
Digital Entrance Curtain Shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/500sec.
Digital Entrance Curtain Shutter + Digital Shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: as much as 60min.
*Digital entrance curtain shutter works till 1/500sec, Mechanical shutter works till 1/4000sec.
*The Digital Shutter might not be appropriate for fast-moving objects or handheld capturing. Flash cannot be used.
Film FHD: 1/4000sec. to 1/24 sec.
*Can’t select slower shutter pace than framerate.
Synchronized shutter pace for flash 1/125sec. or slower
Steady capturing CH Digital Entrance Curtain Shutter Approx. 2.2fps (JPEG: Limitless, Compressed RAW: Limitless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames)
CH Approx. 3.0fps (JPEG: Limitless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames)
*Recordable frames is dependent upon recording media.
*Pace of steady capturing is dependent upon capturing atmosphere and capturing frames.
Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, as much as ±3EV steps
Filmsimulation bracketing Any 3 varieties of movie simulation selectable
Dynamic Vary Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Steadiness Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
A number of Publicity Sure (Max. 9 frames) / Additive / Common / Vibrant / Darkish
Pixel Shift Multi Shot Sure
Focus Mode Single AF / Steady AF / MF
Sort TTL Distinction AF
Low-light Efficiency Distinction: -3.5EV *Low mild precedence AF-S ON / GF80mmF1.7 hooked up
AF body choice Single level AF: 13×9 / 25×17 (Changeable dimension of AF body)
Zone AF: 3×3 / 5×5 / 7×7 from 117 areas on 13×9 grid
Extensive/Monitoring AF: Sure (AF-S: Extensive / AF-C: Monitoring)
All: Sure
Face/eye detection Sure
Flash Sync. Mode 1st Curtain / 2nd Curtain / AUTO FP (HSS)
When SHOE MOUNT FLASH is ready
Scorching shoe Sure (Devoted TTL Flash suitable)
Viewfinder EVF: 0.5 inch OLED Colour Viewfinder, Approx. 3.69 million dots
Protection of Viewing Space vs. Capturing Space: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear Finish of the Digital camera’s Eyepiece)
Diopter Adjustment: -4~+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equal) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )
Constructed-In Eye Sensor
LCD monitor 3.2 inch Tilt-Sort(Three Course) Contact Display Colour LCD Monitor
Side Ratio: 4:3
Dots: Approx. 2.36 million dots
Contact Display Mode Taking pictures Mode AF, Focus Space, OFF, Double Faucet Setting (ON/OFF), Contact Perform Setting (ON/OFF), EVF Contact Display Space Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor 1.80 inch Monochrome LCD Monitor
Side Ratio: 4:3
Dots: 303×230-dot
Film recording File format MOV:
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Film compression Lengthy GOP
File dimension

Body charge

Recording time
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps As much as 120min.
*For recording motion pictures, use a SD reminiscence card with UHS Pace Class 1 or greater.
*Recording time can turn into quick relying on the temperature and/or capturing circumstances.
Movie simulation mode 19 modes (PROVIA/Customary, Velvia/Vivid, ASTIA/Mushy, Basic Chrome, PRO Neg.Hello, PRO Neg.Std, Basic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS
ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Colour Sure
Grain Impact Roughness: STRONG, WEAK, OFF
Dimension: LARGE, SMALL
Colour Chrome Impact STRONG, WEAK, OFF
Colour chrome Blue STRONG, WEAK, OFF
Easy Pores and skin Impact STRONG, WEAK, OFF
Dynamic vary setting Nonetheless AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No restrict, DR200%: ISO200 or extra, DR400%: ISO400 or extra
Film 100% / 200% / 400%
ISO restriction: DR100%: No restrict, DR200%: ISO400 or extra, DR400%: ISO800 or extra
White steadiness Auto White Precedence / Auto / Atmosphere Precedence
Customized Custom1 – 3
Colour temperature choice 2500K~10000K
Preset Wonderful / Shade / Fluorescent Mild-1 / Fluorescent Mild-2 / Fluorescent Mild-3 / Incandescent Mild / Underwater
Readability setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer capturing Sure (Setting : Interval, Variety of photographs, Beginning time, Interval timer capturing publicity smoothing)
Wi-fi transmitter Customary IEEE802.11b/g/n (normal wi-fi protocol)
Encryption WEP / WPA / WPA2 blended mode
Entry mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low power)
Working frequency (Middle frequency) 2402〜2480MHz
Terminal Digital interface USB Sort-C (USB3.2 Gen1x1)
HDMI output HDMI Micro connector (Sort D)
Others ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Distant Launch Connector
Scorching shoe
Synchronized terninal
Energy provide NP-W235 Li-ion battery (included)
Battery life for nonetheless photographs*3 Regular Mode: Approx. 455 frames
*Auto energy save ON
*When GF63mmF2.8 R WR is ready
Precise battery lifetime of film seize*3 Full HD: Approx. 80min. (59.94p)
*Face detection is ready to OFF
Continuance battery lifetime of film seize

Full HD: Approx. 140min. (29.97p)
*Face detection is ready to OFF
Dimensions Width: 150.0mm
Top: 104.2mm
Depth: 87.2mm
(Minimal Depth) 44.0mm
Weight together with battery and SD reminiscence card: Approx. 900g
excluding battery and SD reminiscence card: Approx. 819g
Operation Setting Working Temperature -10°C~+40°C
Working Humidity 10% – 80% (no condensation)
Beginning up interval Approx. 0.4sec.
Equipment included Li-ion battery NP-W235
AC energy adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Physique cap
Scorching shoe cowl
Cable protector
Proprietor’s handbook

*1 *Please see the Fujifilm web site ( to test reminiscence card compatibility.

*2 Exif 2.32 is a digital digital camera file format that incorporates quite a lot of capturing info for optimum printing.

*3 Approximate variety of frames or film recording time that may be taken with a fully-charged primarily based on CIPA Customary.


The brand new Fujifilm GFX 50S II is essentially the most inexpensive GFX branded medium-format digital camera ever, providing a 51.4 megapixel sensor for simply £3499 / €3999 / $3999, placing in on a par with the likes of the Canon EOS R5 and Sony Alpha A1 full-frame mirrorless.

Paired with the equally new GF 35-70mm F4.5-5.6 WR package zoom, the 50SII prices lower than £4000 / €4500 / $4500 with a lens, making medium-format extra accessible than ever earlier than.

The brand new Mark II GFX 50S makes use of the identical 51.4 CMOS sensor as the unique 50S mannequin, however pairs it with the newest X-Processor 4, which permits the brand new model to supply a whopping 79 upgraded features.

Externally it is equivalent to final 12 months’s GFX 100S digital camera, with the identical magnesium alloy, weather-resistant physique, the identical PASM management dial and high LCD panel, and the identical rear LCD display, digital viewfinder and AF joystick on the rear.

The GFX 50S II additionally advantages from 6.5 stops of IBIS, a function that was lacking on the unique 50S, and the following addition of a 205 megapixel Pixel Shift Multi Shot mode.

Model new to the Mark II version is “Distinction Fast AF”, an improved model of the contrast-based autofocus system that may focus in 0.272sec with the 35-70mm lens, simply 0.1sec slower than the GFX 100S with the identical lens and its extra superior PDAF system.

Video is restricted to 1080/30p moderately than 4K, a limitation of the sensor that the 50SII makes use of, and it is no pace demon with a quickest steady capturing pace of 3fps.

The 50S’s detachable viewfinder and battery grip have each been sacrificed within the curiosity of creating the Mark II model lighter, smaller and crucially cheaper (because it’s less complicated to fabricate).

We have got a gallery of full-size Fujifilm GFX 50S II pattern pictures (JPEG and Uncooked) and a gallery of Fujifilm GFX 50S II hands-on pictures so that you can take pleasure in.

Questioning what the variations are between the brand new and previous fashions? Then try our in-depth Fujifilm GFX 50S II vs GFX 50S Head-to-head Comparability to search out out.

Fujifilm Press Launch

Fujifilm pronounces FUJIFILM GFX50S II

A compact and light-weight physique geared up with highly effective picture stabilisation and excessive decision 51.4MP large-format sensor

FUJIFILM Company (President: Teiichi Goto) is happy to announce that the “FUJIFILM GFX50S II” (GFX50S II) will likely be launched in late September 2021 as the newest addition to the GFX Sequence of mirrorless digital cameras geared up with a big format sensor*1.

The GFX50S II packs the 51.4MP large-format sensor to boast an unimaginable image-resolving energy, capturing each element in sharpness throughout the body. Mild is recorded to the pixel which is 1.7 instances that of a full-frame sensor*2 to realize a large dynamic vary and a excessive signal-to-noise ratio. The ensuing picture reproduces deep tonality and texture from shadows to highlights, and delivers picture readability with minimal noise even when taken in low mild. One of many strengths of the big format sensor is its skill to provide a really shallow depth of subject. It’s complimented by GF lenses’ edge-to-edge sharpness to intensify the primary topic in opposition to a blurred background for added three-dimensional definition.

The digital camera is innovatively designed for added groundbreaking mobility in order that customers can discover its distinctive picture high quality in a broad vary of capturing fields. It integrates the high-speed picture processing engine “X-Processor 4” and the newest algorithm with an autofocus system with an enhanced refresh charge to grab a decisive shutter alternative. One other highly effective function is its five-axis in-body picture stabilization(IBIS) mechanism that gives as much as 6.5 stops of anti-shake benefit*3, the very best within the historical past of the GFX Sequence, to compensate for digital camera shakes throughout hand-held capturing and decrease movement blur in low mild or in outside settings the place a tripod can’t be used.

Regardless of carrying a formidable array of key gadgets, the digital camera is available in a compact type issue, weighing roughly 900g. Take pleasure in distinctive picture high quality in nice portability, afforded by its dimension equal to full-frame cameras. The GFX50S II brings the premium world of large-format picture high quality nearer than ever earlier than with its superior AF, high-performance In-Physique Picture Stabilization (IBIS) and compact light-weight physique, superior to traditional medium-format cameras in each sense.

*1 A picture sensor that measures 55mm diagonally (43.8 mm x 32.9 mm) and is approx. 1.7 instances greater than a 35 mm full-frame sensor

*2 When in comparison with a 50 megapixel full-frame digital camera

*3 When mounted with the FUJINON Lens GF63mmF2.8 R WR

Product Options

Superior picture high quality delivered with the usage of a novel 51.4MP large-format sensor

  • The GFX50S II is supplied with a 51.4MP massive format sensor, which delivers unimaginable picture decision when mixed with a GF lens.
  • The digital camera makes use of a specialised design that makes use of smaller light-collecting micro lenses on the sensor to create a wider hole between adjoining pixels, thereby boosting mild decision per pixel for added picture sharpness.
  • Having a bigger light-receiving space per pixel ends in glorious ISO sensitivity, dynamic vary and tonality, controlling spotlight / shadow clipping whereas conveying the topic’s texture, definitions and even the ambiance of the scene in exact particulars.
  • The power of the big format sensor to provide a really shallow depth-of-field renders background out of focus superbly, including definitions to the topic and drawing consideration to the place the photographer meant.

Number of Movie Simulations

The GFX50S II comes with as many as 19 Movie Simulations, together with “Nostalgic Neg.,” developed for the launch of the GFX100S and characterised by excessive saturation and tender tonality. Use Movie Simulation presets, designed for numerous topic varieties and scenes, whereas checking how they have an effect on the ultimate picture in Reside View.

Compact 5-axis In-Physique Stabilization delivering as much as 6.5-stops of Vibration Discount

  • The GFX50S II contains a five-axis picture stabilization mechanism that gives as much as 6.5 stops of benefit*3, the very best within the historical past of the GFX Sequence. This has been made potential with the usage of a high-performance gyro sensor and accelerometer that may detect motions at excessive accuracy. The gyro sensor has been structured to spice up its detection accuracy for exact picture stabilization.
  • This digital camera revolutionizes the best way standard medium-format digital cameras are used. Moderately than being mounted on a tripod for sluggish and cautious capturing, the GFX50S II can produce superior picture high quality hand-held with picture stabilization.

Quick and high-precision AF because of the high-speed processing engine and newest algorithm

  • The GFX50S II’s quick and high-precision AF system is assisted by the highly effective gadgets resembling large-format excessive decision sensor, high-speed picture processing engine “X-Processor 4” and picture stabilization mechanism, operated with the newest algorithm. Through the distinction detection course of for AF, the built-in highly effective picture stabilization mechanism controls sensor movement blur so as to add pace and accuracy to the AF efficiency, guaranteeing to seize the decisive photograph alternative in any circumstances.
  • The GFX50S II makes use of the X-Processor 4 and the newest algorithm that improves AF’s refresh charge. This ends in extra correct autofocus in Face / Eye Detection in comparison with a earlier mannequin.*4 The power to rapidly attain focus regardless of utilizing the large-format sensor with a shallow depth of subject, assists customers significantly when capturing portraits with actions.


Revolutionary compact and light-weight physique for superior mobility

  • Using the compact and highly effective in-body picture stabilization (IBIS) mechanism and shutter unit has been mixed with optimized format of varied gadgets to realize a logic-defying compact physique for a large-format digital camera, weighing roughly 900g and measuring 104.2mm excessive and 87.2mm deep.
  • The grip has been formed in order that the digital camera sits comfortably within the hand, guaranteeing consolation by considerably decreasing hand strains when utilizing a big zoom lens, for instance.
  • The casing is product of extremely inflexible magnesium alloy. Added thickness across the base of the lens mount, which is topic to higher load particularly, has made the digital camera physique extremely strong. The GFX50S II can also be weather-sealed at 60 places to supply dust- and moisture-resistance and skill to function in temperatures as little as -10℃. The digital camera’s distinctive portability is coupled with its robustness in all capturing conditions to broaden the world of extremely high-resolution images.

Straightforward operability for a clean capturing expertise

  • The highest panel options the Mode dial, usually seen in lots of digital cameras, in order that customers can deal with the digital camera in a well-known vogue. It provides six customizable positions C1 – C6, permitting customers to register their selection of features to every of the positions and activate them rapidly for a clean photograph shoot.
  • There’s a selector on the highest panel to immediately swap between the nonetheless and video modes for added comfort.
  • Using a flat-shaped Focus Lever reduces bodily discomfort even after prolonged use. It responds with enhanced sensitivity when shifting the main focus level, permitting customers to achieve focus on the meant location rapidly.
  • The 1.8-inch sub LCD monitor with glorious visibility is discovered on the highest panel, displaying key EXIF settings resembling shutter pace, aperture, ISO sensitivity and publicity. Further info displayed contains the variety of frames remaining when capturing stills and the remaining submitting length when recording video. The show may be custom-made for added comfort.
  • On the rear panel is a 3.2-inch principal LCD monitor with 100% protection. It will probably tilt in three instructions to allow high- and low-angle capturing, for which the digital viewfinder (EVF) can’t be simply used.

“Pixel Shift Multi-Shot” perform to seize and generate 200MP photographs freed from false shade

The GFX50S II options the Pixel Shift Multi-Shot perform, able to creating 200MP photographs freed from false shade presentation. The power to breed a photograph topic’s colours, texture and even its ambiance within the best of particulars makes the digital camera an ideal selection for archiving. Massive artworks and historic artifacts, beforehand tough to {photograph} intimately due to their dimension, may be captured in exact particulars in edge-to-edge readability.

  • This perform makes use of the digital camera’s IBIS to shift the picture sensor by 0.5 pixel to incrementally file 16 RAW photographs and mix them right into a single Digital Detrimental (DNG) RAW file within the software program “Pixel Shift Combiner,” producing an ultra-high-definition 200MP picture. The excessive pixel rely results in an astonishing stage of tonality and three-dimensional definitions for edge-to-edge readability.
  • The picture sensor is shifted in excessive precision to make sure that every pixel information picture knowledge in crimson, inexperienced and blue, fully eliminating false shade and recording the topic in correct shade info.
  • The perform may be configured to provide 51.4MP photographs, that are simpler to deal with, freed from false shade.

Product identify, launch date and value

Product identify

Launch date

Advisable retail value

Digital digital camera “FUJIFILM GFX50S II”

Late September 2021



Digital digital camera & lens package


“GF35-70mmF4.5-5.6 WR”

Late September 2021



The GFX 50S was officialy discontinued in February 2021 and the 50R mannequin may even comply with swimsuit with the discharge of the brand new 50S II.

Anticipate to see the Fujifilm GFX 50S II out there in-store from September twenty third 2021.

Picture Gallery

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Arms On

Need to see precisely what the brand new Fujifilm GFX 50S II medium-format digital camera seems to be like within the flesh?

Try our hands-on gallery of pictures of the Fujifilm GFX 50S II digital camera.

A gallery of hands-on pictures of the brand new Fujifilm GFX 50S II digital camera.

Picture Gallery

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